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Kill Bill: Volume 1

Action. Thriller An assassin known only as "the Bride" (Uma Thurman) is betrayed by her boss, Bill (David Carradine). Four years after surviving a bullet in the head, she emerges from a coma and swears revenge on her former master and his deadly squad of international assassins.
Author Review
United StatesUnited States
The New York Times
The New York Times
"The undeniable passion that drives 'Kill Bill' is fascinating, even, strange to say it, endearing"  POS
United StatesUnited States
Variety
Variety
"Film is a densely textured work that gets better as it goes along"  POS
United KingdomUnited Kingdom
Screendaily
Screendaily
"[It] continues the director's tradition of raiding other films, film-makers' styles and his own soundtrack collection. And like his three previous films, the result of his looting is a delirious cinematic confection which bears a signature all his own"  POS
United StatesUnited States
Chicago Tribune
Chicago Tribune
"There's no question that Quentin Tarantino's 'Kill Bill, Vol. 1' is a virtuoso piece of filmmaking; what's questionable is whether it's more than that"  NEU
United StatesUnited States
rogerebert.com
rogerebert.com
"[It] shows Quentin Tarantino so effortlessly and brilliantly in command of his technique that he reminds me of a virtuoso violinist racing through 'Flight of the Bumble Bee' (…) Rating: ★★★★ (out of 4)"  POS
United StatesUnited States
Common Sense Media
Common Sense Media
"This is a stylish and visually striking movie (...) Fans of this genre will find it sensationally entertaining. The action scenes are brilliantly staged"  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"It may not be the best film of the year, nor the best Tarantino film. But it's sure as hell got to be the best way, the only way, to mainline pure adrenaline in the cinema (…) Rating: ★★★★★ (out of 5)"  POS
United StatesUnited States
Rolling Stone
Rolling Stone
"Killingly funny, wildly inventive, bloody as a gushing artery and heart-stoppingly beautiful. Tarantino has the talent to show us what’s sacred about the profane"  POS
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