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Love's Labour's Lost

Drama. Romance. Musical Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro Nivola) and three chums take vow to study rigorously and avoid women for three years. Their vow is immediately tested with the surprise visit of the Princess of France (Alicia Silverstone) with three ladies-in-waiting. Romantic merriment ensues ... [+]
Author Review
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New York Post
New York Post
"Branagh's attempt to meld Shakespeare's densely verbal early comedy with Broadway show tunes fails, thanks to stunt casting, poor singing and dancing, and the incompatibility of the two art forms" NEU
United StatesUnited States
Austin Chronicle
Austin Chronicle
"The effect is weird but it, actually, kind of works, illuminating both Shakespeare and the artifice of musicals." POS
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Newsweek
Newsweek
"Labour teeters on the edge of the amateur. Yet it's hard not to root for its moonstruck spirit, or to succumb to the panache of the pastiche." NEU
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Chicago Sun-Times
Chicago Sun-Times
"There's not a song I wouldn't hear again with pleasure, or a clip that might not make me smile, but as a whole, it's not much. Like cotton candy, it's better as a concept than as an experience" POS
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Chicago Tribune
Chicago Tribune
"Filling his movie with bright colors and giddy energy, Branagh has made a labor of love in which the labor is all too apparent." NEU
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Time
Time
"It's like Shakespeare done by the 'Fame' kids." NEG
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The Washington Post
The Washington Post
"Ken, Ken, Ken, not another Shakespeare, pleeeeeeez" NEG
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