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Stagecoach

1939

John Ford

John Wayne, Claire Trevor, Thomas Mitchell, Andy Devine ...

8.0

28,305

Western A stagecoach is set to leave Tonto, New Mexico, for a distant settlement in Lordsburg, with a diverse set of passengers on board. Dallas (Claire Trevor) is a woman with a scandalous past who has been driven out of town by the high-minded ladies of the community. Lucy Mallory (Louise Platt) is the wife of a cavalry officer stationed in Lordsburg, and she's determined to be with him. Hatfield (John Carradine) is a smooth-talking cardsharp ... [+]

	Author	Review
United States	Roger Ebert rogerebert.com	"'Stagecoach' holds our attention effortlessly and is paced with the elegance of a symphony (...) We see here Wayne's extraordinary physical grace and capacity for tenderness (…) Rating: ★★★★ (out of 4)"	POS
United States	Frank S. Nugent The New York Times	"They've all done nobly by a noble horse opera, but none so nobly as its director. This is one stagecoach that's powered by a Ford."	POS
United States	Variety	"Directorially, production is John Ford in peak form, sustaining interest and suspense throughout, and presenting exceptional characterizations. Picture is a display of photographic grandeur."	POS
United Kingdom	Nigel Floyd Time Out	"[A] magnificent film (...) The contrast between the innocence of the wilderness and the ambiguous 'blessings of civilisation' are brilliantly stitched into a smoothly developed narrative"	POS
United Kingdom	Simon Braund Empire	"Featuring groundbreaking editing and camerawork (...) it is still an incomparable piece of adrenaline-fuelled action cinema (…) Rating: ★★★★★ (out of 5)"	POS
United States	Dave Kehr Chicago Reader	"The visual contrast of claustrophobic interior spaces (...) with the expanse of Monument Valley provides a vivid physical correlative to the film's thematic push for freedom"	POS
United States	Walter Addiego SFGATE	"'Stagecoach' both revived and elevated the Western (...) Visually striking"	POS
United States	Fernando F. Croce Slant	"Ford never fails to perceive the fragility of his utopia (...) The film continues to feel both classical and startlingly modern (…) Rating: ★★★★ (out of 5)"	POS
United States	Steve Uhler Austin Chronicle	"Ford knew how to exploit Wayne's awkward line readings, giving him minimal dialogue, but plenty of silent, telling reaction shots."	POS
United States	Jen Chaney The Washington Post	"It remains a beautifully shot, flat-out great motion picture (...) What makes 'Stagecoach' so compelling is the fact that it transcends its genre, acting as both a character study (...) and an action movie"	POS

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