New York Magazine

"It still exerts an uncanny power: Like the best of Almodóvar's work, it throws you a first-love sucker punch that will stagger your heart, mind, and soul."  

"Despite a very direct cinematic style, Naruse’s treatment here is beguilingly poetic, full of natural metaphors and heroic desperation."  

"[Almodóvar] has the rare talent of presenting potentially offensive material in such a whimsical and affectionate fashion that no matter what his characters do, the audience loves them as much as he does."  

"The aroma of fetid formulas wafts about [Ryder] in this movie (...) 'Autumn in New York' is terrible"  

"'Minority Report' is a movie in furious conflict with itself (...) The result is one of the glummest and most forbidding thrillers ever."  

"The movie is startlingly candid (...) The scenes between Washington and Jovovich (...) are about the most tender Spike Lee has ever filmed."  

"Visually stunning (...) One of the most witty, and, yes, moral movies of the year."  

"One job of memoir is to show the world through another’s eyes and inspire you to live more alertly, and that is the glory of 'The Beaches of Agnès'."  

"The result is medical TV at its most satisfying and basic (...) With 'House', we are in the hands of professionals"  

"One of those over-the-hill-gang buddyfests that pretend to be about teamwork and valor but are really about movie-star cronyism."  

"[It] tell us nothing about real violence"  

"'The Passion of Anna' is a complex and beautiful work (...) It is an encounter, above all, with a sophisticated and subtle mind concerned with mature human relationships."  

"Chomet's astonishing imagination conjures images you could swear you've seen in your dreams"

"Scary Movie 2 isn't scary, funny-scary, or even just plain funny."

"One of the sharpest and funniest movies about the music business ever made"  

"It's a marvelous, resonant joke that never quite succeeds: Stretches of the film resemble a Dario Argento horrorfest crossed with a Mel Brooks spoof."

"A terrifying low-budget thriller that packs a greater wallop than most of the high-priced studio scarefests".

"It would be a shame if only kids went to see this film. Adults who can still plug in to their inner rocker, if only to play air guitar, will love it, too."

"If you've never experienced a Bollywood musical before, seeing Lagaan will be like watching Gone With the Wind without ever having seen a Hollywood movie."

"Tends to settle for easy, homiletic insights. But it also has a collection of first-rate performances by some marvellous actresses"