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The New York Times

The New York Times

United States

Juanita (2019)

Publish Date: March 8, 2019
"It soars when it allows its lead to explore the complexities of love and unbridled joy. And Woodard completely owns it."

Candice Frederick
Gloria Bell (2018)

Publish Date: March 7, 2019
"Moore can go big (...) She shows you the rush of emotions just before they break the surface, so the hurt and confusion flicker on her face like minute shifts of light (...) [It] is at once obvious and filled with ambiguities"

Manohla Dargis
Babylon (1980)

Publish Date: March 7, 2019
"All of that observation in 'Babylon' amounts to something that still feels new"

Wesley Morris
I'm Not Here (2017)

Publish Date: March 7, 2019
"While the film aspires to a clipped complexity, it comes across as gimmicky and amateurish"

Ben Kenigsberg
3 Faces (2018)

Publish Date: March 7, 2019
"[It] is filled with unexpected turns (...) The result is an immersive, pleasurably intelligent movie, one that weds documentary naturalism and melodramatic excess with formalist rigor."

Manohla Dargis
The Kid (2019)

Publish Date: March 7, 2019
"'The Kid' feels less like an actual movie than a table-napkin idea for one (...) While marquee names wrestle with characters as insubstantial as holograms, Lloyd [DP] gives us a reason to keep watching."

Jeannette Catsoulis
Island of the Hungry Ghosts (2018)

Publish Date: March 7, 2019
"[It] explores, with great delicacy, the agony of living in limbo (...) The movie doesn’t harangue, making its points with soft voices and often surreal imagery"

Jeannette Catsoulis
Ferrante Fever (2017)

Publish Date: March 7, 2019
"It’s an anodyne fan flick that casts only furtive glances in Ferrante’s direction (...) [Durzi's] approach is worshipful, decorous and therefore strikingly incongruous"

Jennifer Szalai
Black Mother (2018)

Publish Date: March 6, 2019
"In its poetic, elliptical, concise way, this film makes a grand statement: The black mother is the mother of life itself."

Glenn Kenny
An Elephant Sitting Still (2018)

Publish Date: March 6, 2019
"[A] rigorously bleak, powerfully absorbing feature (...) [It] shows a restless and original visual sensibility"

A. O. Scott
Triple Frontier (2019)

Publish Date: March 6, 2019
"[Chandor] maintains the kind of accelerated pace that gives your eyes a workout, and pads the story with an inviting camaraderie that brings you into the group."

Manohla Dargis
Captain Marvel (2019)

Publish Date: March 5, 2019
"It's not too long, not too self-important, and benefits from the craft and talent of a cast that includes Annette Bening, Jude Law and Ben Mendelsohn."

A. O. Scott
We Were Soldiers (2002)

Publish Date: March 1, 2019
"Like the best war movies -- and like martial literature going back to the Iliad -- it balances the dreadful, unassuageable cruelty of warfare and the valor and decency of those who fight.

A. O. Scott
Tyler Perry's A Madea Family Funeral (2019)

Publish Date: March 1, 2019
"What Perry lacks in filmmaking rigor (...) he makes up for in generosity. The movie is the usual plateful of low humor and high melodrama, in no particular hurry to make its way through a busy plot."

A. O. Scott
El fotógrafo de Mauthausen (2018)

Publish Date: March 1, 2019
"'The Photographer of Mauthausen' is [Targarona's] second feature, but if feels like the work of an old pro — vivid, involving and frequently terrifying."

Jason Bailey
G.L.O. (2018)

Publish Date: February 28, 2019
"'Giant Little Ones' features strong performances (...) The film’s saving grace turns out to be the range of experiences that Franky and Ballas are allowed to explore."

Teo Bugbee
The Wedding Guest (2018)

Publish Date: February 28, 2019
"A movie that places pacing above sense (...) Despite all the bobbing and weaving, Winterbottom knows when to pause the proceedings for a ripe, noirish exchange."

Ben Kenigsberg
Mapplethorpe (2018)

Publish Date: February 28, 2019
"A timid biopic of a bold photographer (...) 'Mapplethorpe' does something I thought impossible: It makes Smith and Mapplethorpe kind of boring."

Glenn Kenny
Woman at War (2018)

Publish Date: February 28, 2019
"The package is lumpy at times, but not unwieldy, thanks to an engaging central performance and a cinematographer, Bergsteinn Bjorgulfsson, whose sweeping shots (...) wash the screen — and our minds — of extraneous distractions."

Jeannette Catsoulis
Sharkwater Extinction (2018)

Publish Date: February 28, 2019
"[Stewart convinces] us that these superpredators are important to oceanic ecosystems and that because they are so indiscriminate in their eating habits, they are full of toxins."

Glenn Kenny

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