LA Weekly

"One of the great movies about childhood innocence accidentally violated by adults...Reed, an often inconsistent filmmaker, handles the brutal mechanics of the plot superbly"

"A potentially interesting tale flailing haplessly in the quicksand of holiday-movie formula."

"Mick Garris has a real feeling for the horror master's melancholy worldview - love is loss - but he's too reverent toward the original story"

"What makes this straightforward film so incredibly moving is that it keeps its scathing political commentary firmly rooted in everyday struggle."

"'The Open Road' isn’t an unwatchable howler -- instead, writer-director Michael Meredith’s film is merely dull and obvious."

"There is so much to admire and empathize with in Stephanie Daley that it feels almost boorish to quibble about whether the film needs to come packaged as a murder mystery."

"Catches the volatile beauty of what it was to be alive and politically aware in the early '70s with a rare accuracy and depth."

"A hit in Denmark, this impressive debut feature from writer-director Anders Thom as Jensen is decidedly offbeat, with Jensen contrasting moments of brutal violence with the emerging gentleness of Torkild and his friends."

"Some will see this as a movie about how we're all God’s children. I saw only the misanthropic fulminations of Jensen's runaway ego."

"'Infamous' is the better Capote film, yes, but also the less easily digestible one, the more eccentric one and -- yes -- the gayer one."

"The triumph of 'Capote' is that it both grants and shares with him that twisted brew of obsessive identification and monstrous detachment that is the fertile burden of the artist."

"An unfailingly coarse yet brashly effective series that burrows into the workings of the titular outlaw motorcycle club."