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Rex Reed

Film Critic

United States

(1938)

Harry Brown (2009)

"Dirty Harry (...) the film makes the most of a great actor’s resources. Mr. Caine is impeccable"

The New York Observer
Mother and Child (2009)

"Some cynics will label it schematic, others might dismiss it as a “woman’s picture.” Ignore them all. Mother and Child is a flawless film of heartrending realism about the eternal chord that binds parents and children"

The New York Observer
Holy Rollers (2010)

"The film has obvious shortcomings (...) Part of the film's ability to hold attention must be credited to the guileless sincerity of Jesse Eisenberg's performance"

The New York Observer
Ondine (2009)

"Mr. Jordan has a unique vision, using character and landscape to transport the viewer to heightened planes of dreamlike fairy-tale experience (...) 'Ondine' is largely an appealing, soft-textured film with a nice touch of whimsy"

The New York Observer
The Good Heart (2009)

"This arcane experience is worth it only for the burnished lemon-wax polish of the cinematography and the fascinating work of Brian Cox (...) he’s the reason this strange movie takes on a perverse charm that is uniquely its own"

The New York Observer
Charlie St. Cloud (2010)

"One thing that defies debate: Zac Efron is going places as an actor of value. But he deserves better movies than 'Charlie St. Cloud'"

The New York Observer
The Romantics (2010)

"95 minutes of wooden, boring and inconsequential embarrassment (...) There is nothing vaguely romantic about The Romantics."

The New York Observer
Buried (2010)

"Ryan Reynolds is astounding (...)The effect is genuinely creepy, but do not even think of seeing Buried if you suffer from claustrophobia"

The New York Observer
Stone (2010)

"Mr. De Niro fails to make anything about his miserable character poignant, and Mr. Norton's overwrought intensity borders on hysteria (...) Stone is so illogical that it's hard to know where to place the blame."

The New York Observer
Conviction (2010)

"Filled with nuance, intricate emotion and a refreshing absence of melodramatics, Conviction is a moving exploration of light and love shining through the darkness of despair"

The New York Observer
127 Hours (2010)

"'127 Hours' is a phenomenal piece of work in which a fine actor and an innovatively cinematic director join forces to keep you gasping for oxygen all the way.

The New York Observer
Love and Other Drugs (2010)

"What makes this preposterous yawn bearable is the considerable charm of its two attractive, sexy stars"

The New York Observer
Black Swan (2010)

"This exercise in hysteria is so over the top that you don't know whether to scream or laugh. Despite an emotionally gripping performance by Natalie Portman, it's nothing more than a lavishly staged "Repulsion" in toe shoes"

The New York Observer
Mysterious Skin (2004)

"Controversial, illuminating, deeply affecting and highly recommended"

The New York Observer
The Company Men (2010)

"'The Company Men' does a piercing job of making you feel the dehumanizing effects that losing a job can have on grown men, but it's more truthful and devastating than that.

The New York Observer
No Strings Attached (2011)

"A vulgar, stupid pile of junk (...) Portman is herself partly to blame. Nobody with an upwardly mobile career who is suddenly being taken seriously should co-star in a movie with Ashton Kutcher.

The New York Observer
Hall Pass (2011)

"Not only disgusting and unendurable, but filthy and boring, too"

The New York Observer
Limitless (2011)

"Directed with a pulsating fervor by Neil Burger, Limitless is absurd but entertaining action-adventure escapism"

The New York Observer
Hanna (2011)

"Contrived, pretentious and not worth seeing even for the perverse pleasure of watching first-rate talents make second-rate fools of themselves"

The New York Observer
The Conspirator (2010)

"See it, enjoy a ripping good yarn and learn something"

The New York Observer

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