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Ismael’s Ghosts

Drama The story follows a filmmaker whose life is sent into a tailspin by the return of a former lover just as he is about to embark on the shoot of a new film.
Author Review
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"[The] screenplay is a treasure trove of references to themes and even types of characters from some of the great classics and Desplechin’s own films (..) The use of both dialogue and film language is sophisticated (...) the acting is superb."  POS
United StatesUnited States
Variety
Variety
"A jumbled, prismatic portrait of a filmmaker haunted by his past (...) How much of this cinematic pseudo-selfie is informed by life experience? Hard to say — and even harder to swallow."  NEU
United StatesUnited States
IndieWire
IndieWire
"The opening film of the 2017 Cannes Film Festival is several movies at once, some more successful than others (...) Still, the movie retains an air of elegance."  NEU
United StatesUnited States
The Wrap
The Wrap
"[It] was never going to be a great film, but it’s a tasteful way to kick off the 70th Cannes Film Festival"  NEU
United KingdomUnited Kingdom
The Guardian
The Guardian
"Despite a classy cast, which includes Charlotte Gainsbourg and Mathieu Amalric alongside Cotillard, Arnaud Desplechin’s Cannes opener is a baffling mess (...) Rating: ★★ (out of 5)"  NEG
United KingdomUnited Kingdom
Telegraph
Telegraph
"Desplechin stages this reunion as a haunting, and his three leads play it to prickling perfection (...) There’s frustration in it too (...) [but] it’s a price worth paying (…) Rating: ★★★ (out of 5)"  POS
United KingdomUnited Kingdom
Screendaily
Screendaily
"The stories bounce around in time but are suspenseful and intriguing rather than confusing"  POS
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