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It's Kind of a Funny Story

Comedy. Drama A clinically depressed teenager gets a new start after he checks himself into an adult psychiatric ward. After contemplating suicide by jumping off the Brooklyn Bridge, 16-year-old Craig Gilner (Keir Gilchrist) decides to go to the hospital to seek help. He is placed in the adult ward with a few other teenagers because the teenage ward is undergoing renovations. Craig is introduced to Bobby (Zach Galifianakis), an adult patient who ... [+]
Author Review
United KingdomUnited Kingdom
The Guardian
The Guardian
"It's kind of a rubbish story (...) Sentimental, questionable and boring (…) Rating: ★ (out of 5)"  NEG
United StatesUnited States
Rolling Stone
Rolling Stone
"Galifianakis is a comic force of nature (...) but he digs down here and delivers a beautifully nuanced performance that gets under your skin. Just like the movie (…) Rating: ★★★ (out of 4)"  POS
United StatesUnited States
Variety
Variety
"The filmmakers fully retain their offbeat sensibility and attentiveness to character while providing perhaps the sharpest showcase yet for Zach Galifianakis’ outsized talents"  POS
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"A dramatically inert, lethargic dramedy that isn't nearly as quirky and poignant is it perceives itself."  NEG
United StatesUnited States
IndieWire
IndieWire
"[It] only skims the surface of its serious subject matter (...) Several characters and relationships are woefully underwritten (...) I’m afraid I have to call this a misfire"  NEG
United StatesUnited States
SFGATE
SFGATE
"[It] has charm (...) The journey is aided immeasurably by the casting of Keir Gilchrist (...) A beautiful thing in this film, which is fairly lovely throughout, is the way Galifianakis looks at Gilchrist"  POS
United StatesUnited States
Boston Globe
Boston Globe
"[It lacks] genuine emotional pain. Still, the movie’s an often charming example of 'Cuckoo’s Nest' Lite (…) Rating: ★★½ (out of 4)"  NEU
United KingdomUnited Kingdom
Screendaily
Screendaily
"[It] demonstrates an impressive commitment to its understated, lifelike tone (...) Unfortunately, the intentionally small-stakes drama that plays out can’t help but feel inconsequential."  NEU
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