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The Lady From Shanghai

Film noir. Mystery A seaman, Michael O'Hara (Orson Welles), is hired as a crew member on the yacht of the wealthy Arthur Bannister (Everett Sloane). His beautiful but mysterious wife Elsa (Rita Hayworth) has met O'Hara earlier, when he saved her from a mugging. What ensues is a complicated and bizarre pattern of deception, fraud and murder, with O'Hara finding himself implicated in a murder, despite his innocence.
Author Review
United StatesUnited States
Variety
Variety
"Script is wordy and full of holes which need the plug of taut story telling and more forthright action."  NEG
United KingdomUnited Kingdom
Time Out
Time Out
"The plot is a magnificent mess of switchbacks and revelations, climaxing with one of cinema’s most outrageously inventive sequences"  POS
United StatesUnited States
Chicago Reader
Chicago Reader
"The weirdest great movie ever made."  POS
United StatesUnited States
The New York Times
The New York Times
"For a fellow who has as much talent with a camera as Orson Welles and whose powers of pictorial invention are as fluid and as forcible as his, this gentleman certainly has a strange way of marring his films with sloppiness."  NEU
United StatesUnited States
Time Out
Time Out
"The plot (...) isn’t especially brilliant, but Welles did notice something special about the deceptive nature of shiny surfaces (...) Rating: ★★★★ (out of 5)"  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"Welles's brilliant, brash noir moves from city to sea, courtroom to hall of mirrors, crackling with chemistry between him and Hayworth (…) Rating: ★★★★★ (out of 5)"  POS
United StatesUnited States
The New York Times
The New York Times
"'The Lady From Shanghai' is fueled by two powerfully grotesque characterizations (...) At once fluid and discordant, 'The Lady From Shanghai' is filled with virtuoso set pieces."  POS
United KingdomUnited Kingdom
The Independent
The Independent
"[Welles] brings a mix of charm, naiveté and fatalism to the role (...) The film is as tangled and ingenious as any of Welles's conjuring tricks"  POS
United StatesUnited States
Slant
Slant
"What an overstuffed, wondrously weird movie it is (...) It’s affirming in its assertion that Welles could make art out of anything (…) Rating: ★★★½ (out of 4)"  POS
United KingdomUnited Kingdom
Empire
Empire
"The set-pieces are the work of a genius (...) The final scene remains a classic outro (…) Rating: ★★★★ (out of 5)"  POS
United KingdomUnited Kingdom
Radio Times
Radio Times
"[A] marvellously murky film noir (...) A movie with brilliant visual flourishes (…) Rating: ★★★★ (out of 5)"  POS
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