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The Pillow Book

Drama As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, obsessed with books, papers, and writing on bodies, and her sexual odyssey (and the creation of her own Pillow Book) is a "parfait mélange" of classical Japanese, modern Chinese, and Western film images.
Author Review
United StatesUnited States
The New York Times
The New York Times
"Rapturously perverse (...) 'The Pillow Book' finds the filmmaker at his most atypically seductive, creating a spellbinding web of cruel elegance and intricate gamesmanship, exploring the exotic, haunting beauty of the bizarre. (...) a richly sensual stylistic exercise."  POS
United StatesUnited States
Entertainment Weekly
Entertainment Weekly
"I can't say that I've ever entertained fantasies of writing on someone's body. But Peter Greenaway's The Pillow Book (Cinepix) does, at least, succeed in making it look like an erotic activity" POS
United StatesUnited States
Los Angeles Times
Los Angeles Times
"Despite its arresting visual style, its wave after wave of creative and hypnotic images, The Pillow Book, as its name hints, slowly but inexorably leads to sleep." NEU
United StatesUnited States
Austin Chronicle
Austin Chronicle
"Greenaway and his picture-perfect cast weave so many interlacing threads into the story, and so many curious subtexts that it sometimes leaves us scratching our heads in wonderment."  POS
United StatesUnited States
Variety
Variety
"It is at first daunting but ultimately awesomely impressive and beautiful." POS
United StatesUnited States
Boston Globe
Boston Globe
"Dense, gorgeous and inexorable - once you give yourself over to its logic - it's a boldly erotic explosion of Asian chic, taken to places no film has gone before" POS
United KingdomUnited Kingdom Empire "Here both Greenaway's strengths and weaknesses are on show as he toys with the viewers' capacity to ingest blurring metaphors and convoluted content." NEG
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