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I'm a Cyborg, But That's OK

Saibogujiman kwenchana (I'm A Cyborg, But That's Ok)

2006

Park Chan-wook

Lim Soo-jung, Rain, Choi Hee-jin, Lee Yong-nyeo ...

6.6

7,645

Comedy. Drama. Romance Young-goon is a patient at a psychiatric clinic because she is convinced she is a cyborg. She refuses food, charging her batteries instead with electric shocks from a transistor radio. Naturally, this does nothing to improve her health. Undaunted, the young woman dons her grandmother's dentures and insists on talking to all manner of machines - from slot machines to lamps. Young-goon is by no means a unique case. Other patients at the ... [+]

	Author	Review
United States	Derek Elley Variety	"Witty, playful, romantic, tragic, Park Chan-wook's 'I'm a Cyborg, but That's OK' is a whole chocolate box of emotions in a highly decorative but absolutely characteristic wrapping"	POS
United States	Kirk Honeycutt The Hollywood Reporter	"Actors perform mental illness like clowns in a circus (...) The environment itself becomes oppressive, not because it's a gloomy hospital but because it's a cartoon world where everything is forced and artificial."	NEG
United Kingdom	Kim Newman Empire	"It's mental but charming, so that's OK (...) rating: ★★★ (out of 5)"	POS
United Kingdom	Peter Bradshaw The Guardian	"This is a frustrating and unsatisfying piece of work (...) Rating: ★★ (out of 5)"	NEG
United States	Dave Kehr The New York Times	"[A] wildly experimental, unclassifiable film (...) Executed with Park's usual attention to the tiniest details of visual style"	POS
United States	Simon Abrams Slant	"It’s Park’s most volatile film to date (...) 'Cyborg' is also probably Park’s most expressively resonant film (…) Rating: ★★½ (out of 5)"	NEU
United Kingdom	David Jenkins Time Out	"As intelligent and ornate a piece of work as we might expect from this gifted helmer (…) Rating: ★★★★ (out of 5)"	POS
United States	IndieWire	"It would be pretty sacrilegious to compile a list of Korean New Wave cinema and not include its most iconic and influential film to date 'Oldboy,' (...) A frequent touchpoint for revenge movies in general"	POS

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