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L'Atalante

Drama. Romance When Juliette marries Jean, she comes to live on his ship, on board of which are, besides the two of them, only a cabin boy and the strange old second mate Pere Jules. Soon bored by life on the river, she slips off to see the nightlife when they come to Paris. Angered by this, Jean sets off, leaving Juliette behind. Overcome by grief and longing for his wife, Jean falls into a depression and Pere Jules goes and tries to find Juliette.
Author Review
United StatesUnited States
rogerebert.com
rogerebert.com
"The film is shot in a poetic way (...) This is the kind of movie you return to like a favorite song (…) Rating: ★★★★ (out of 4)"  POS
United StatesUnited States
The New York Times
The New York Times
"Except for occasional moments of comedy, satire, and tender romance, these intellectual exercises should prove of high interest only to avid students of the cinema."  NEU
United KingdomUnited Kingdom
The Guardian
The Guardian
"A masterpiece of sophistication, technique and human feeling (...) 'L'Atalante' manages to be more modern than anything being made today (…) Rating: ★★★★★ (out of 5)"  POS
United StatesUnited States
Chicago Reader
Chicago Reader
"Masterpiece (...) 'L'Atalante' is one of the supreme achievements in the history of cinema (...) The sensuality of Vigo's work as a whole (...) has a special aura and potency."  POS
United KingdomUnited Kingdom
Empire
Empire
"It has a genuinely weird feel, combining dingy realism with an almost magical eroticism (...) A stunning debut (…) Rating: ★★★★ (out of 5)"  POS
United StatesUnited States
Slant
Slant
"As the characters achieve catharsis, so does Vigo’s use of thematic repetition, and the result combines to form an absolute cinematic orgasm (…) Rating: ★★★★ (out of 4)"  POS
United KingdomUnited Kingdom
Time Out
Time Out
"The result is not so much a film as an entire artistic vision crammed into 89 of the busiest and most beautiful minutes of celluloid ever shot (…) Rating: ★★★★★ (out of 5)"  POS
United StatesUnited States
AV Club
AV Club
"Masterpiece (...) An extraordinarily perceptive chronicle of married life (...) The results are often magical"  POS
United StatesUnited States
The New Yorker
The New Yorker
"It’s no exaggeration to call 'L’Atalante' one of the greatest films in the history of cinema (...) It’s a film of an eternal youth"  POS
United StatesUnited States
Los Angeles Times
Los Angeles Times
"A movie of strange and beguiling charm (...) The movie features a great performance by Michel Simon"  POS
United KingdomUnited Kingdom London Evening Standard "Michel Simon is wonderful (...) Its combination of realism and fantasy is touching and the photography of Boris Kaufman superb"  POS
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