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End of Sentence

Drama After being widowed, Frank Fogle reluctantly embarks on a journey to honor his wife's last wish of spreading her ashes in a remote lake in her native Ireland and a promise of taking his estranged son, Sean, along for the trip. As Sean steps out of prison the last thing on his mind is a foreign road trip with his alienated father. What he needs is a fresh start in California. But when his travel plans collapse he reluctantly accepts his ... [+]
Author Review
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"A sentimental journey with some agreeably wild detours."  POS
United StatesUnited States
rogerebert.com
rogerebert.com
"Strong performances and compassionate storytelling distinguish this road movie about a widower and his estranged ex-convict son. (...) Rating: ★★★ (out of 4)"  POS
United StatesUnited States
Variety
Variety
"A deliberate, gentle, genuinely caring debut (...) John Hawkes and Logan Lerman, both on very fine form, work enough worn human damage into proceedings that we invest in their joint healing."  POS
United KingdomUnited Kingdom
Screendaily
Screendaily
"A package which combines the arthouse credibility provided by the always impressive Hawkes, a forceful turn from Lerman, plus the Irish backdrop"  POS
United StatesUnited States
IndieWire
IndieWire
"John Hawkes and Logan Lerman shine in tough but tender father-son drama (...) Casually cathartic at times, cathartically casual at others"  POS
Cineuropa
Cineuropa
"[Adalsteins] is going to win no prizes for originality in storytelling (...) 'End of Sentence' works best when taken as a character study of broken men"  NEU
CanadaCanada
In The Seats
In The Seats
"A sweet, occasionally funny, and rather poignant story (...) While not wholly original, it treads the line of drama and schmaltz quite well (…) Rating: ★★★½ (out of 5)"  POS
United StatesUnited States
The Film Stage
The Film Stage
"While the result’s humor entertains thanks to Lerman and Hawkes’ odd couple pairing, the drama bubbling beneath the surface drives things forward."  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"A film that is at its best when the camera takes a step back and simply allows the action to unfold (...) Rating: ★★★ (out of 5)"  POS
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