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The Life of Oharu

Drama It tells the story of Oharu, a 50-year-old woman who suffers the strict conventions of 17th century Feudal Japan. She becomes the lover of a man, but when they are discovered, Oharu and her family are obliged to live in exile.
Author Review
United StatesUnited States
rogerebert.com
rogerebert.com
"No woman in a Japanese film that I have seen is more tragic and unforgettable than Oharu (…) Rating: ★★★★ (out of 4)"  POS
United StatesUnited States
The New York Times
The New York Times
"The film makes a sharp, if obvious, point. But the basic story, slowly unfolded with the majestic solemnity of vignettes on silk screens, is as obvious and lachrymose as a soap opera."  NEU
United StatesUnited States
Slant
Slant
"'Life of Oharu' represents the Holy Grail of Japanese cinema (...) Its genius is (...) that Mizoguchi uses Oharu’s life to peel back the layers of the physical self and reveal the soul that lies bruised beneath (…) Rating: ★★★★ (out of 4)"  POS
United KingdomUnited Kingdom
Empire
Empire
"Such rarely relieved misery could have become mawkish, but Tanaka's sincerity and Mizoguchi's finesse ensure it avoids lapsing into melodrama (…) Rating: ★★★★★ (out of 5)"  POS
United StatesUnited States
AV Club
AV Club
"The movie’s pessimism is so thorough and nuanced that it registers not as an attitude, but as a complete worldview (...) It’s a testament to cinema’s ability to (...) serve as an honest-to-God emotional experience."  POS
United KingdomUnited Kingdom Time Out "The social evils exposed have an unmistakable contemporary relevance (...) An extremely elegant movie whichever way you look at it"  POS
United KingdomUnited Kingdom
BBC
BBC
"Both formally beautiful and unsentimentally compassionate, 'The Life Of Oharu' deserves to be seen and appreciated on the big screen (…) Rating: ★★★★ (out of 5)"  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"One of his supreme masterpieces"  POS
United StatesUnited States
IndieWire
IndieWire
"It’s epic yet delicate, set in feudal Japan but animated by modern anxieties, at once a traditional picaresque and a bold feminist classic."  POS
United StatesUnited States
Chicago Reader
Chicago Reader
"[It] is stately, controlled, and impeccably constructed (...) A near-perfect work"  POS
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