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Manohla Dargis

Film Critic

United States

United States

(1961)

830 pro reviews

501

204

199

Latest published

April (2024)
Publish Date: May 23, 2025
"Easy to admire, but Kulumbegashvili’s use of art-film conventions can be wearyingly familiar, especially when the leisurely pace turns to a crawl"

The New York Times
Mission: Impossible - The Final Reckoning (2025)
Publish Date: May 14, 2025
"“Final Reckoning” is flat-out ridiculous, but it’s a model example of blockbuster entertainment at its most highly polished, and I enjoyed it thoroughly, despite its clichés, extravagant violence and gung-ho militarism."

The New York Times
Caught by the Tides (2024)
Publish Date: May 8, 2025
"As emotionally effective as it is formally brilliant"

The New York Times
Rust (2025)
Publish Date: April 30, 2025
"While sometimes the onscreen brutality is narratively justified, here it largely comes off as egregious, indulgent posturing."

The New York Times
One to One: John & Yoko (2024)
Publish Date: April 9, 2025
"Lennon and sometimes Ono are exhilaratingly present in a documentary flooded with music and feeling that revisits a narrow if eventful period in the couple’s life"

The New York Times
Gazer (2024)
Publish Date: April 2, 2025
"The movie manages to surmount enough of its flaws to hold your own gaze, more or less"

The New York Times
When Fall Is Coming (2024)
Publish Date: April 2, 2025
"A sleek, modestly scaled entertainment about families, secrets and obligations, it features fine performances and some picture-postcard Burgundian locations"

The New York Times
Holy Cow (2024)
Publish Date: March 26, 2025
"Courvoisier is more interested in human complexity than in generically packaged uplift, which makes the fact that this is her feature directing debut all the more impressive"

The New York Times
Black Bag (2025)
Publish Date: March 12, 2025
"A fizzy, engaging puzzler (...) You may also find yourself feverishly hoping that when it comes time to revive the Bond series, someone has the brains to call Koepp and Soderbergh."

The New York Times
Art Spiegelman: Disaster Is My Muse (2024)
Publish Date: February 19, 2025
"It’s a history, a biography and an autobiographical howl as well as a milestone in the history of comics and a foundational American work about the Holocaust"

The New York Times
The Annihilation of Fish (1999)
Publish Date: February 12, 2025
"A modest movie modestly told, [it] sneaks up on you; it’s as stealthy as Fish’s demon and can pack just as powerful a wallop"

The New York Times
All We Imagine as Light (2024)
Publish Date: November 17, 2024
"One of the pleasures of Kapadia’s filmmaking is that she’s inviting you to discover her characters on their terms, which means embracing the inner and outer rhythms of their lives"

The New York Times
A Real Pain (2024)
Publish Date: November 12, 2024
"'A Real Pain' is a fluidly blended amalgam of pleasing, approachable subgenres, including an odd-couple buddy flick, a consciousness-raising road movie and a charged family melodrama"

The New York Times
Heretic (2024)
Publish Date: November 6, 2024
"Grant is clearly having a lot of fun and it’s enjoyable watching him go hard here with cold, predatory eyes and a smile that turns from uneasily friendly to straight-up fiendish"

The New York Times
We Live in Time (2024)
Publish Date: October 28, 2024
"Florence Pugh and Andrew Garfield star in this weepie romance that tries to be modern by unfolding over three intersecting timelines"

The New York Times
Black Box Diaries (2024)
Publish Date: October 24, 2024
"The movie’s intimacy is appealing (...) It’s finally more emotionally engaging than intellectually satisfying"

The New York Times
Intercepted (2024)
Publish Date: October 2, 2024
"Another crucial eyewitness document of the Russia-Ukraine war, one that makes the personal stakes painfully vivid"

The New York Times
The Front Room (2024)
Publish Date: September 4, 2024
"The whole enterprise is so familiar and at times rote that it feels as though Sam and Max Eggers haven't so much directed the movie as reverse-engineered it"

The New York Times
Close Your Eyes (2023)
Publish Date: August 21, 2024
"[It] has its virtues, certainly... These have a delicate, unforced quality that creates pinpricks of light in a movie that, as it struggles to engage meaningfully with the past, sinks into ponderousness"

The New York Times
Between the Temples (2024)
Publish Date: August 21, 2024
"The movie is consistently funny"

The New York Times

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