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Barbara Scharres

Barbara Scharres

Film Critic

United States

Young Ahmed (2019)

Publish Date: May 19, 2019
"The Dardennes create a cycle of obsessiveness that generates a certain amount of sympathy for the young man (...) With this plot, even the Dardennes have walked into a trap with no exit"

rogerebert.com
Adam (2019)

Publish Date: May 19, 2019
"An affecting but modest film with few pretensions, but a claim on primal emotions."

rogerebert.com
My Little One (2018)

Publish Date: May 17, 2018
"An earnest but half-formed film (...) The film’s greatest flaw is in making everyone and everything around Ayka more interesting than she is"

rogerebert.com
Dogman (2018)

Publish Date: May 16, 2018
"Marcello’s loving affinity for dogs of every kind is deep, boundless, and beautifully affecting. In fact, it’s the only unadulterated thing in 'Dogman'."

rogerebert.com
Capernaum (2018)

Publish Date: May 16, 2018
"A cathartic but manipulative film (...) It’s the kind of film calculated to make audiences feel good about human rights"

rogerebert.com
Under the Silver Lake (2018)

Publish Date: May 15, 2018
"Mitchell knows how to end Sam’s story but he seems less sure how to connect the dots in the film’s baroquely layered, fever dream of a plot."

rogerebert.com
Burning (2018)

Publish Date: May 15, 2018
"Scattered and tentative (...) An unsatisfying film"

rogerebert.com
Sofia (2018)

Publish Date: May 15, 2018
"Benm’Barek-Aloïsi demonstrates storytelling talent, particularly when it comes to integrating class discrepancies."

rogerebert.com
The House That Jack Built (2018)

Publish Date: May 14, 2018
"[Trier tests] just how much violation his audience is willing to accept (...) For three-quarters of the running time, 'The House That Jack Built' is a clunky rambling film with a homemade look"

rogerebert.com
Shoplifters (2018)

Publish Date: May 13, 2018
"With 'Shoplifters,' [Kore-eda] introduces more heartrending moral complexities than ever in an emotional story"

rogerebert.com
Happy as Lazzaro (2018)

Publish Date: May 12, 2018
"The mix of socially relevant plot elements, religious symbolism, and cryptic fantasy is almost too much for one film to bear."

rogerebert.com
3 Faces (2018)

Publish Date: May 12, 2018
"Iranian director Jafar Panahi (...) delivers"

rogerebert.com
Girl (2018)

Publish Date: May 11, 2018
"'Girl' suffers from too many agendas (...) Dhont blends it all well enough to make a highly sympathetic middle-of-the road drama, but not a deeply affecting one"

rogerebert.com
Girls of the Sun (2018)

Publish Date: May 11, 2018
"A well-meaning timid tribute (...) glorifying its brave subjects without taking any risks (...) 'Girls of the Sun' is choppy in its construction, sanitized in its imagery"

rogerebert.com
Ash Is Purest White (2018)

Publish Date: May 11, 2018
"Zhao has never been better than in this role, demonstrating an impressive ability to reveal emotion through the slightest facial expression."

rogerebert.com
Cold War (2018)

Publish Date: May 10, 2018
"The beauty of his precise compositions is one of the great pleasures (...) 'Cold War' is rich in imagery and economical with dialogue."

rogerebert.com
The Image Book (2018)

Publish Date: May 10, 2018
"This movie magician never loses his power to challenge and confound."

rogerebert.com
Donbass (2018)

Publish Date: May 8, 2018
"Loznitsa portrays a society ravaged by corruption, extortion, lawlessness and division"

rogerebert.com
Everybody Knows (2018)

Publish Date: May 8, 2018
"Farhadi’s forte is evoking contemporary moral dilemmas that play out in melodramatic relationship (...) Farhadi seems uncomfortable with his foray into farcical and comic elements"

rogerebert.com
Everybody Knows (2018)

Publish Date: May 8, 2018
"Farhadi’s forte is evoking contemporary moral dilemmas that play out in melodramatic relationships (...) Farhadi seems uncomfortable with his foray into farcical and comic elements"

rogerebert.com

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