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John Anderson

United States

The Irishman (2019)

Publish Date: October 30, 2019
"A haunting masterpiece"

The Wall Street Journal
Mrs. Fletcher (TV Miniseries) (2019)

Publish Date: October 23, 2019
"There is a great deal of humor in 'Mrs. Fletcher' - Ms. Hahn is a gifted comedian, of course - along with warmth, thoughtfulness and provocation"

The Wall Street Journal
Why We Hate (TV Miniseries) (2019)

Publish Date: October 8, 2019
"It can be dry at times, but also startling, and humbling, especially in its representation of human nature as a force almost beyond human control."

The Wall Street Journal
All Rise (TV Series) (2019)

Publish Date: September 18, 2019
"A better-than-average light drama, sans stridency, with a strong cast and considerable potential for exploring themes of substance

The Wall Street Journal
Prodigal Son (TV Series) (2019)

Publish Date: September 18, 2019
"A dark show that doesn’t take its darkness seriously enough."

The Wall Street Journal
Moonlight Sonata: Deafness in Three Movements (2019)

Publish Date: September 11, 2019
"A very moving film"

The Wall Street Journal
Who Killed Garrett Phillips? (2019)

Publish Date: July 17, 2019
"The strength of 'Who Killed Garrett Phillips?' isn’t just about what’s on screen but how it got there, i.e., the assembling of parts (...) Three hours of riveting television"

The Wall Street Journal
Phil (2019)

Publish Date: July 2, 2019
"[An] alternatingly poignant and inane film a (...) 'Phil' isn’t a home run, exactly. But you could rule it a double to left."

The Wall Street Journal
At the Heart of Gold: Inside the USA Gymnastics Scandal (2019)

Publish Date: May 1, 2019
"[It] suggests someone coming toward you with a spoonful of particularly ghastly medicine. But the benefits outweigh the few unsavory side effects of this largely first-rate documentary"

The Wall Street Journal
The Red Line (TV Series) (2019)

Publish Date: April 24, 2019
"[It] is melodrama at its worst"

The Wall Street Journal
The Fix (TV Series) (2019)

Publish Date: March 13, 2019
"The locales are both lush and texture free; the characterizations are shallow; the writing is geared to the attention deprived. The setup is captivating--it captivated America for years."

The Wall Street Journal
Sunderland 'Til I Die (TV Series) (2018)

Publish Date: December 12, 2018
"An intimate, knowing look at the internal workings of a sports organization and a critique of both managerial style and the politics of sports entertainment"

The Washington Post
Icebox (2018)

Publish Date: December 5, 2018
"It does have a spare, naturalistic and awkwardly acted style that helps sell its story"

The Wall Street Journal
Colette (2018)

Publish Date: September 23, 2018
"[It] is a character-driven movie, but also one that is sending a message about social mores and their malleability."

The Wall Street Journal
Bel Canto (2018)

Publish Date: September 12, 2018
"The nuance of literature is lost to Mr. Weitz, who has to find his elusive enchantment elsewhere—in the performances of his stars, and in the nervous tension of a hostage-taking."

The Wall Street Journal
Destination Wedding (2018)

Publish Date: August 29, 2018
"A comically underpopulated movie (...) An intelligent, rapid-fire and decidedly mordant script"

The Wall Street Journal
Minding the Gap (2018)

Publish Date: August 16, 2018
"It possesses an intimacy that could never be acquired without years of shared experience, and heartache. And probably road rash."

The Washington Post
Betty White: First Lady of Television (TV) (2018)

Publish Date: August 15, 2018
"[It] emphasizes (...) what an accomplished actress and comedian she is."

The Wall Street Journal
Like Father (2018)

Publish Date: August 1, 2018
"To call it a boatload of clichés wouldn’t be wrong. But it’s also true that many great Depression-era comedies and their myriad offspring share plot devices"

The Wall Street Journal
Adrift (2018)

Publish Date: May 30, 2018
"[Kormákur] has a great feel for the open sea and its visual properties and dramatic potential. The biggest problem in 'Adrift', as is often the case, is people."

The Wall Street Journal

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