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Katie Walsh

United States

The Return (2024)

Publish Date: December 5, 2024
"The film does struggle to break out of a limited dramatic register. Nevertheless, there’s a hushed profundity, especially in Binoche and Fiennes’ performances"

Los Angeles Times
Queer (2024)

Publish Date: November 28, 2024
"It is messy and it doesn’t totally cohere (...) but it does stick to a guiding principle of yearning, expressed in achingly poignant, unforgettable moments of sound and image"

Los Angeles Times
Moana 2 (2024)

Publish Date: November 26, 2024
"It is a worthy sequel, with gorgeous animation, a thoughtful representation of Polynesian culture and another exciting adventure for our inspiring Moana"

Los Angeles Times
Wicked (2024)

Publish Date: November 18, 2024
" The film may struggle to take flight, but when it does, it is undeniably moving, with a message of freedom and defiance that resonates now more than ever."

Los Angeles Times
Red One (2024)

Publish Date: November 13, 2024
"'Red One' is a confounding project that is clearly trying to be for all audiences (...) and is so bad it ends up being for none

Los Angeles Times
The Best Christmas Pageant Ever (2024)

Publish Date: November 10, 2024
"As far as family-friendly, faith-based holiday movies go, you could do worse (...) though it might not quite connect with all young audiences, as the film leans more toward poignant than playfully riotous"

Los Angeles Times
Heretic (2024)

Publish Date: November 7, 2024
"'Heretic' excels on the strength of its performances"

Los Angeles Times
Here (2024)

Publish Date: October 30, 2024
"While the efforts have been laudable, unfortunately, the results have all been flops"

Los Angeles Times
The Apprentice (2024)

Publish Date: October 23, 2024
"It does humanize Trump. But it also presents a plainly obvious depiction of how a man can turn into a monster with the right personality, background and guidance"

Los Angeles Times
Smile 2 (2024)

Publish Date: October 23, 2024
"Finn brings bigger, and even more effective, jump scares than the last time, which will keep the popcorn flying (...). The body horror is even bloodier and more disturbing. (...) Rating: *** (out of 4)"

Seattle Times
Piece by Piece (2024)

Publish Date: October 9, 2024
"'Piece by Piece' is ultimately a surprisingly moving biography and a resonant reminder of Williams’ outsized cultural footprint"

Los Angeles Times
White Bird: A Wonder Story (2023)

Publish Date: October 3, 2024
"It may be a message we’ve heard time and again, but it’s one that bears repeating"

Los Angeles Times
Lee (2023)

Publish Date: September 25, 2024
"Winslet is tremendous as always, embodying Lee’s gruff, no-nonsense persona, a hardened exterior underneath which a great wound still bleeds"

Los Angeles Times
Never Let Go (2024)

Publish Date: September 19, 2024
"While that may work for some, for others, it will be a surprise, and not in a good way"

Los Angeles Times
I Used to Be Funny (2023)

Publish Date: September 6, 2024
"The movie is a rare indie gem worth discovering"

Los Angeles Times
Rebel Ridge (2024)

Publish Date: September 4, 2024
"For a moment, one man on a bike with a few expertly wielded weapons can wreak holy havoc on corrupt cops, and damn does it feel good to watch"

Los Angeles Times
Slingshot (2024)

Publish Date: August 28, 2024
"The creative choices made around John’s hallucinations are predictable and pat (...) 'Slingshot' shows no signs of life"

Los Angeles Times
1992 (2024)

Publish Date: August 28, 2024
"Vromen and Penn would have been better off writing a straightforward father-son heist flick without trying (and failing) to pull off this high-concept maneuver"

Los Angeles Times
Skincare (2024)

Publish Date: August 17, 2024
"Despite his screenplay’s limitations, Peters is a master of aesthetics and with cinematographer Christopher Ripley and editor Laura Zempel, he‘s crafted a compellingly sleazy ‘80s-style thriller — or at least a convincing facsimile of one"

Los Angeles Times
Alien: Romulus (2024)

Publish Date: August 13, 2024
"'Alien: Romulus', with its thrilling tactility and appealingly plucky cast, is a very enjoyable pie"

Los Angeles Times

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