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Lingui

Drama Amina, a practicing Muslim, lives with her daughter, 15-year-old Maria. When Amina learns Maria is pregnant and wants to abort the child, they face an impossible situation in a country where abortion is legally and morally condemned.
Media Author Review
United Kingdom
The Guardian
"The sheer seriousness and urgency of the deceptively unhurried story give it power(…) Rating: ★★★★ (out of 5)" 
United States
The Hollywood Reporter
"Gorgeous and affecting (...) The city or landscape speaks for itself, calculated silences propel the narrative forward and facial expressions reveal motivations where language is insufficient" 
United States
Variety
"A return to form for director Mahamat-Saleh Haroun, this taut, ravishingly shot film spurns the patriarchy in increasingly unexpected ways." 
United States
rogerebert.com
"The film may be unique among his work for being openly feminist (...) Haroun does not pace his films with the urgency of other contemporary neo-realists, but the mother-daughter relationship is finely drawn and moving" 
United Kingdom
Screendaily
"In its own rather clunky way, this strikes a blow for feminism in central Africa (...) It may struggle to connect with audiences beyond the festival circuit." 
United States
IndieWire
"The entrancing space that 'Lingui' notches between personal circumstance and elemental strife mirrors the balance Haroun strikes between his spartan approach to narrative and newfound visual command" 
United States
The Wrap
"Achouackh Abakar Souleymane and Rihane Khalil Alio shine in Mahamat-Saleh Haroun’s subtle film about women in a hostile culture" 
United States
The New York Times
"[Its] sisterhood is complex and at times fragile, but it is always rooted in the lived experiences and bodies of these women" 
United States
Paste Magazine
"[It] never utilizes feminine trauma, pain and marginalization in a way that feels exploitative (...) Gorgeously realized and bolstered by amazing performances" 
United States
The Playlist
"For the acclaimed Chadian filmmaker, 'Lingui', his first foray into women-driven stories, wobbles with underdevelopment but still manages to be a harrowing tale of bodily freedom" 
United States
Slant
"The material realities of being a woman in Chad are expressed with profound sympathy (…) Rating: ★★★ (out of 4)" 
United States
The Film Stage
"What’s fascinating and most novel about African cinema great Mahamat-Saleh Haroun’s new drama is the lack of an overtly religiose aura" 
United States
Deadline
"[It] maintains an appealing natural rhythm rather than an imposed melodramatic one (...) It's both disarming and refreshing to encounter a change-of-pace coming from a relatively unlikely source" 
United Kingdom
Time Out
"A powerful paean to the love between a mother and her daughter (...) A mood of grim inevitability morphs into a celebration of the art of the possible via solidarity and compassion (…) Rating: ★★★★ (out of 5)" 
United States
Los Angeles Times
"The world it shows us, etched in fully felt performances and beautifully hued compositions, feels vividly, sometimes overwhelmingly present" 
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