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Both Sides of the Blade

Drama. Romance Sara and Jean have been in a loving, stable relationship for ten years. They are happy. He is her rock, someone she can hold on to. When they first met, Sara was in a relationship with François, Jean’s best friend. One day, Sara sees François on the street. He does not see her, but she is overwhelmed by a sensation that her life could suddenly change. François does indeed get in touch with Jean to suggest that they work together again. ... [+]
Author Review
United KingdomUnited Kingdom
Screendaily
Screendaily
"A quintessentially Denisian film (...) [Binoche's] duets with Lindon show the two actors working at the top of their game, on a level of alertness and nuance that pays off in a fully Bergmanesque emotional showdown."  POS
United StatesUnited States
Variety
Variety
"Old flames die hard in a love triangle that sees the veteran filmmaker applying her signature formal finesse (...) Binoche is marvelous in a role that makes pointed thematic use of her elusive, melancholic screen allure"  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"It’s intriguing if contrived and anticlimactic, though acted at the highest pitch of sensual conviction (...) Rating: ★★★ (out of 5)"  NEU
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"[A] smart, moody, superbly acted melodrama (...) The intimate intensity here is almost painful to witness, thanks to Binoche and her magnetic co-stars"  POS
United StatesUnited States
Deadline
Deadline
"An intimate slow-burner that sets a credible scene, but doesn’t quite deliver on the mystery it promises (...) For the first hour, this feels like it could be a Denis classic, but it burns out long before the credits roll."  NEU
United StatesUnited States
IndieWire
IndieWire
"An incendiary drama about the danger of old flames (...) Denis creates a contained backdraft of a film that’s as volatile and untamed as an inferno."  POS
United StatesUnited States
The Film Stage
The Film Stage
"Ultimately Fire–a film shot in a world of masks and lockdowns, and full of what will hopefully one day be curious artifacts of the COVID era–often feels an oddly lifeless film"  NEU
United KingdomUnited Kingdom
Telegraph
Telegraph
"A film that focuses less on the act of infidelity itself than the combative consequences (...) The film has an impetuous, let’s-try-it-on quality that makes it a modest pleasure (...) Rating: ★★★ (out of 5)"  POS
United StatesUnited States
Los Angeles Times
Los Angeles Times
"Thorny and unabashedly sexy, Claire Denis’ 'Both Sides of the Blade' cuts deep"  POS
United StatesUnited States
Slant
Slant
"An accomplished erotic thriller (...) There's an unnerving sense of escalation (...) London and Binoche each turn in mesmerizing performances (…) Rating: ★★★½ (out of 4)"  POS
United StatesUnited States
Paste Magazine
Paste Magazine
"Adroitly handled in Denis' hands. [It] manages to find a freshness thoroughly conveyed by Binoche and Lindon's involvement. Also able to subtly integrate the lasting societal effects of the pandemic"  POS
United StatesUnited States
AV Club
AV Club
"Claire Denis' latest may have earned the directing award at Berlin, but it's unlikely to win over many viewers"  NEG
United StatesUnited States
rogerebert.com
rogerebert.com
"'Both Sides of the Blade' is a romance, a love triangle, a marriage drama, an infidelity narrative, all familiar ground, but Denis' approach is her own (…) Rating: ★★★★ (out of 5)"  POS
CanadaCanada
Screen Anarchy
Screen Anarchy
"Directed by Claire Denis, the film contains visual/aural power and beauty, combined with blistering performances by Juliette Binoche and Vicent Lindon. It's damn near a masterpiece, in my book"  POS
United StatesUnited States
The Playlist
The Playlist
"[It] feels out of whack, but as a portrait of that woman, with the two men representing opposing edges of her knife-like need for passionate, unconstrained love, it becomes a little more coherent, if not much more satisfying"  NEU
Cineuropa
Cineuropa
"The story is told in a choppy style, the messy editing means that the film is all over the place. Put together, it's hard to feel empathy with any of the characters"  NEG
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