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Morgan

Sci-Fi. Thriller. Horror A corporate troubleshooter (Kate Mara) is sent to a remote, top-secret location, where she is to investigate and evaluate a terrifying accident. She learns the event was triggered by a seemingly innocent "human," who presents a mystery of both infinite promise and incalculable danger.
Author Review
United StatesUnited States
Variety
Variety
"'Morgan' (...) takes enough overwrought and even ridiculous turns to seriously compromise its chance of finding an audience. Yet there are a few moments when something in the movie strikes a chord."  NEU
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"The thrilling premise of 'Morgan' eventually gets muddled amid standard thriller-action (...) Still, those seeking smart, edgy genre fare will find plenty to savor in this well-cast drama."  POS
United StatesUnited States
IndieWire
IndieWire
"[A] Limp and lackluster 'Ex Machina' clone needs more brain power (...) 'Morgan' is just another sci-fi film that’s only engineered to disappoint."  NEG
United StatesUnited States
The Washington Post
The Washington Post
"'Morgan' becomes a cross between the underrated adolescent-assassin thriller “Hanna” and the worst parts of the “Terminator” franchise (...) Rating: ★★ (out of four)"  NEU
United StatesUnited States
Chicago Sun-Times
Chicago Sun-Times
"One of the worst movies of 2016 (...) Rating: ★ (out of four)"  NEG
United StatesUnited States
SFGATE
SFGATE
"The film tries to split the difference between thoughtful science fiction and action-driven horror, and blows the chance to truly succeed at either. 'Morgan' is an enjoyable enough experience in the moment, but it never quite coalesces"  NEU
United StatesUnited States
New York Post
New York Post
"A dull, listless, derivative chunk of celluloid lacking any spark or even basic storytelling ability (...) Rating: ★ (out of four)"  NEG
United StatesUnited States
The Wrap
The Wrap
"Luke Scott’s directorial debut is an admirable one, assembling a strong ensemble of actors and giving most of them something to do while creating an eerie sense of menace"  POS
United StatesUnited States
The New York Times
The New York Times
"The movie is at once ideologically vague and maddeningly self-serious."  NEG
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