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Even Cowgirls Get the Blues

Comedy Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ranch in CA to shoot a commercial, set against the background of mating whooping cranes. There, she befriends Bonanza Jellybean, one of the cowgirls at the beauty- ranch. The cowgirls take command of the ranch from the Countess and 'drug' the cranes ... [+]
Author Review
United StatesUnited States
Austin Chronicle
Austin Chronicle
"Unfortunately, for a number of reasons, the movie does not work, though it's difficult to sort out the “what is” from the “what was” and “what might have been.”  NEU
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"Pic stays on the surface, without attempting any exploration of painful depths. Result is at best amusing; at worst, uninvolving, often confusing, and sometimes a little boring." NEG
United StatesUnited States
Chicago Tribune
Chicago Tribune
"The movie contains its moments, charms and felicities-even its sharp stings of pleasure and pain" POS
United StatesUnited States TV Guide "No one seems to be having any fun, including the normally masterful Van Sant, whose direction is unstructured, confusing, and lackadaisical." NEG
United StatesUnited States
SFGATE
SFGATE
"A film that aims high, means well, and ultimately fails its audience." NEU
United StatesUnited States
Los Angeles Times
Los Angeles Times
"Loaded as it is with undeveloped notions about feminism and individuality, nothing about it is really memorable except the appealing musicality of the fine k.d. lang/Ben Mink score, which deserves better" NEG
United StatesUnited States
Boston Globe
Boston Globe
"Van Sant winds up with disconnected, dispirited pieces that never come together and lift off the screen with a whoosh of sly high spirits. " NEG
United KingdomUnited Kingdom Empire "Van Sant's film is cold and the gallery of eccentrics merely come across as vulgar caricatures." NEG
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