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You Can't Take it with You

Comedy The stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a twelve block area owned by Alice's grandparent Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for ... [+]
Author Review
United StatesUnited States
Variety
Variety
"The tempo is generally fast and there are no sudden spurts or sharp letdowns (...) The comedy is wholly American, wholesome, homespun, human, appealing, and touching in turn."  POS
United StatesUnited States
AV Club
AV Club
"[It] is an upbeat, uplifting film, but with some darker shadings (...) Stewart’s adorable mumbling and Arthur’s affectionate barbs are so un-slick and un-Hollywood that they still feel fresh and engaging even now"  POS
United StatesUnited States
The New York Times
The New York Times
"None of [the characters are] quite so funny (...) but they are far more likable, far more human (...) It's a grand picture, which will disappoint only the most superficial admirers of the play."  POS
United KingdomUnited Kingdom
Time Out
Time Out
"Mostly the picture is a damp squib, trite, preachy, and desperately sincere (...) The cast is appealing, particularly Stewart and Arthur, but it's not enough"  NEG
United KingdomUnited Kingdom
Radio Times
Radio Times
"The movie contains wonderful performances (...) If it is a touch overlong, that is a minor fault considering the vast comic talent on display (…) Rating: ★★★★★ (out of 5)"  POS
United StatesUnited States
Austin Chronicle
Austin Chronicle
"Impeccable timing and idiosyncratic delivery [by Jean Arthur] (...) The pace is fast and furious and the scales tip quite forcefully on the side of living for the moment"  POS
United StatesUnited States
New York Daily News
New York Daily News
"It’s good fun all the way through Alice’s affair with Banker Kirby’s son (...) The comedy moves smoothly and briskly under Capra’s canny method of direction."  POS
United StatesUnited States
Chicago Reader
Chicago Reader
"There are still some laughs and entertainment to be found here, but forget about fidelity to the original."  NEU
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