Click here to copy URL

An Autumn Afternoon

Sanma no aji

1962

Yasujirō Ozu

Chishu Ryu, Shima Iwashita, Shinichiro Mikami, Keiji Sada ...

7.8

3,149

Drama Shuhei Hirayama is a widower with a 24-year old daughter. He gradually comes to realize that she should not be obliged to look after him for the rest of his life, and so he arranges a marriage for her.

	Author	Review
United States	Roger Ebert rogerebert.com	"[Ozu] is a man with a profound understanding of human nature, about which he makes no dramatic statements (...) There is meticulous attention to the things within the shot (…) Rating: ★★★★ (out of 4)"	POS
United Kingdom	Peter Bradshaw The Guardian	"[A] superbly composed family drama (...) Exquisitely tender and sad (…) Rating: ★★★★★ (out of 5)"	POS
United States	The New York Times	"Although Ozu's films are realistic (...) they evoke emotions not only through identification but also through methods more commonly associated with music and other nonrepresentational forms of art"	POS
United States	David Mermelstein Variety	"Modern viewers uninterested in the vicissitudes of family life essential to Ozu will still likely be captivated"	POS
United Kingdom	Geoffrey Macnab The Independent	"Very moving (...) 'An Autumn Afternoon' may seem like quintessentially Japanese subject matter but (...) its themes turn out to be utterly universal."	POS
United States	Richard Brody The New Yorker	"With an intense tenderness for his characters and an exquisite sensitivity to their slightest emotional tremors, Ozu (...) is one of the most humane of filmmakers."	POS
United States	Eric Henderson Slant	"A narrative recapitulation of perhaps his greatest film, 'Late Spring' (…) Rating: ★★★★ (out of 4)"	POS
United States	Mike D'Angelo AV Club	"The series of low-key conversations and negotiations acquires a cumulative force that packs an unexpected wallop by the end."	POS
United Kingdom	Time Out	"A movingly valedictory affair, its familiar story (...) carrying even more poignancy than usual as a poised and wise reminder of passing time and the inevitable approach of mortality."	POS
United States	Dave Kehr Chicago Reader	"Stylistically it's one of Ozu's purest, most elemental works (...) Appreciating Ozu is a matter of temperament"	POS

Return to movie

We encourage you to check the reviews' original sources. Intellectual property rights of these reviews belong to their authors and/or the correspondent media from which they have been extracted. If you'd like to help us to add more reviews to your favorite movies, just send us a message.