United States |
Rolling Stone
|
"Of all the new Halloween films, only this one has the power to truly haunt our dreams" |
POS
|
United States |
rogerebert.com
|
"The director of the film, a veteran stop-action master named Henry Selick, is the person who has made it all work. And his achievement is enormous (…) Rating: ★★★½ (out of 4)" |
POS
|
United States |
The New York Times
|
"[It] has a clever visual format that keeps it streamlined and sharp (...) 'The Nightmare Before Christmas' is a major step forward for both stop-motion animation, which is stunningly well used, and for Mr. Burton himself." |
POS
|
United States |
Boston Globe
|
"'The Nightmare Before Christmas' is the black diamond of family films, brilliantly conceived, touchingly pure of heart, much more endearing than scary." |
POS
|
United States |
Chicago Reader
|
"[It] is at worst a macabre Muppet movie, at best an inspired jaunt. The set designs are ingenious and the songs (music and lyrics by Danny Elfman) are fairly good." |
POS
|
United States |
Variety
|
"For those with an aversion to conventional animation, this represents something refreshingly different" |
POS
|
United States |
The Washington Post
|
"This brilliant combination of stop-motion animation, three-dimensional sets and superbly imaginative graphics, brings animation to new peaks" |
POS
|
Canada |
The Globe and Mail
|
"[It] occupies the imaginative ground held by the likes of White and Dahl and Seuss - that lovely place where, for shining moments, parents and children can travel on the same passport and smile for the same reasons." |
POS
|
United States |
Seattle Times
|
"Visually a macabre knockout, this 75-minute fantasy boasts some of the wittiest, most vigorous stop-motion animation effects in the history of the process." |
POS
|
United States |
Slant
|
"Whereas the film is a marvel to look at, it’s unfortunately not much in the song or story department" |
NEU
|
United States |
Los Angeles Times
|
"A delightfully ghoulish holiday musical that displays more inventiveness in its brief 75 minutes than some studios can manage in an entire year" |
POS
|
United Kingdom |
BBC
|
"A wickedly dark and decidedly alternative look at [Christmas] (...) Selick moves the action along at a brisk pace but it's Burton's characters and superb production skills (...) that really delight (…) Rating: ★★★★ (out of 5)" |
POS
|
United Kingdom |
Empire
|
"All gothicky, christmassy, romantic and Burtonesque. Worth a look (…) Rating: ★★★ (out of 5)" |
POS
|
United Kingdom |
Time Out
|
"This beautifully realised confection will delight grown-ups of all ages." |
POS
|
United States |
Miami Herald
|
"That Burton darkness (...) was said to be the one element that kept Batman Returns from becoming the most popular movie of all time. Maybe so. But this time, it's simply perfect. |
POS
|
United States |
AV Club
|
"'Nightmare' looks great, largely, I think, because of how the characters move, and because of the insane attention to detail in most every frame." |
POS
|
United States |
ReelViews
|
"For the kids, it's a fantasy celebrating two holidays. For the adults, it's an opportunity to experience some light entertainment while marvelling at how adept Hollywood has become at these techniques. (...) Rating: ★★★½ (out of 4)" |
POS
|