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The Limey

Thriller Wilson (Terence Stamp), a tough English ex-con, travels to Los Angeles to avenge his daughters death, which he is convinced was not accidental. After meeting Ed (Luis Guzmán), a friend of his daughter’s who sent him a letter informing him of her passing, he finds out about her affair with Terry Valentine (Peter Fonda), a drug-dealing, money-laundering record producer, and begins to hunt him down. Partnered with Ed as well as Elaine ... [+]
Author Review
United StatesUnited States
Chicago Reader
Chicago Reader
"A highly enjoyable and offbeat thriller"  POS
United StatesUnited States
The New York Times
The New York Times
"Among Soderbergh's widely varied films (...) this one actually has the best chance of becoming anyone's sentimental favorite."  POS
United StatesUnited States
AV Club
AV Club
"'The Limey' is a clever and meaningful homage to fractured late-'60s classics"  POS
United StatesUnited States Time Out "Funny, touching, and effortlessly assured (...) Stamp is superb (...) Lem Dobbs' script is witty (...) Soderbergh's customary playfulness with the narrative deftly underlines Stamp's obsession. A joy"  POS
United StatesUnited States
Variety
Variety
"An accomplished piece of filmmaking that overcomes its routine elements.The slim, underdeveloped script by Lem Dobbs (...) promises more than it delivers"  NEU
United StatesUnited States
The Washington Post
The Washington Post
"[In the director's] hands, a simple story of revenge becomes something to unpeel and unpeel again"  POS
United StatesUnited States
IndieWire
IndieWire
"An absolute masterpiece (...) Soderbergh’s collaborative spirit is the foundation of 'The Limey’s' stylish veneer and emotional potency."  POS
United StatesUnited States
rogerebert.com
rogerebert.com
"Soderbergh's direction of the film takes the underlying story, which is basic Ross Macdonald, and uses the visuals to add an ironic amusement (…) Rating: ★★★ (out of 4)"  POS
United KingdomUnited Kingdom
Empire
Empire
"Nice idea on paper, but an uneasy balance between brutal tension and outright comedy on screen (...) A thinly-plotted, overstylised pantomime (…) Rating: ★★★ (out of 5)"  NEU
United StatesUnited States
Slant
Slant
"Soderbergh couldn't have planned for all ['The Limey']'s facets. It was a perfect storm: Wedding technique with intuition and personal taste, he opened up a vortex, fashioning a genre film as art object as ravaged ode of longing"  POS
United StatesUnited States
ReelViews
ReelViews
"Stamp has done some wonderful work in a long and varied career. This is not his best film, but it may be the most forceful acting he has ever accomplished (...) Rating: ★★★ (out of 4)"  POS
United StatesUnited States
Austin Chronicle
Austin Chronicle
"The work of a fine craftsman and artist (...) Rating: ★★★★ (out of 5)"  POS
United StatesUnited States
Salon
Salon
"An art noir that courts pretension but just manages to keep from succumbing to it"  POS
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