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Stephen Holden

Film Critic

United States

(1941)

The Perfect Family (2011)

Publish Date: May 2, 2011
"[Kathleen Turner's] performance is the deepest and truest element in this shallow feel-good movie"

The New York Times
Queen to Play (2009)

Publish Date: March 30, 2011
"Slight but captivating (...) In small but significant ways, 'Queen to Play' defies expectations"

The New York Times
Certified Copy (2010)

Publish Date: March 9, 2011
"[Binoche] humanizes the film and lends its theoretical substructure flesh and blood and emotional weight"

The New York Times
Faster (2010)

Publish Date: November 22, 2010
"A turgid, ultraviolent parable of revenge and forgiveness (...) As muscle-bound as its monosyllabic antihero."

The New York Times
Megamind (2010)

Publish Date: November 3, 2010
"A witty 3-D animated deconstruction of superhero movies"

The New York Times
Vision (2009)

Publish Date: October 11, 2010
"The film meticulously ticks off Hildegard’s accomplishments (...) Sukowa makes Hildegard a likable and charismatic woman"

The New York Times
Easy A (2010)

Publish Date: September 15, 2010
"[It] commands attention for the irresistible presence of Emma Stone (...) The one-liner-loaded screenplay has [an] insouciant charm"

The New York Times
Twelve (2010)

Publish Date: August 4, 2010
"Sinks under the weight of its own pretensions"

The New York Times
Le concert (The Concert) (2009)

Publish Date: July 28, 2010
"Unless you buy 'The Concert’s' nonsensical premise (...) appreciation of this satirical fairy tale is next to impossible"

The New York Times
The Extra Man (2010)

Publish Date: July 28, 2010
"For all its flighty charms, 'The Extra Man' never really lands. It hovers like a hummingbird madly beating its wings to stay aloft."

The New York Times
Farewell (2009)

Publish Date: July 21, 2010
"The movie’s staking out of a (sometimes shaky) middle ground between serious comedy and high-tech fantasy is a considerable accomplishment that deglamorizes spying as an occupation by making it look a little silly"

The New York Times
Boogie Woogie (2009)

Publish Date: April 21, 2010
"The best that can be said of this cluttered mosaic is that it gives the actors in the prestigious cast some amusing comic moments"

The New York Times
Death at a Funeral (2010)

Publish Date: April 14, 2010
"Think of 'Death at a Funeral' as a comic quickie. As it presses buttons, a few laughs come out, but that’s all there is to it."

The New York Times
The Greatest (2009)

Publish Date: March 31, 2010
"Not even the skillful performances of its stars, Susan Sarandon and Pierce Brosnan (...) can cover up the mysterious gaps in continuity of a screenplay whose thudding dialogue spells out every emotion"

The New York Times
Did You Hear About the Morgans? (2009)

Publish Date: December 16, 2009
"There are barely enough titter-worthy one-liners in Marc Lawrence's good-natured romantic comedy 'Did You Hear About the Morgans?' to prevent it from sinking under the weight of its clichés"

The New York Times
Ricky (2009)

Publish Date: December 14, 2009
"The deeper 'Ricky' plunges into allegory, the shakier its grasp of the material."

The New York Times
Everybody's Fine (2009)

Publish Date: December 2, 2009
"The only credible scenes in a movie that is pathologically afraid of being a bummer belong to Mr. Rockwell. Otherwise 'Everybody’s Fine' is false to the core."

The New York Times
The Private Lives of Pippa Lee (2009)

Publish Date: November 25, 2009
"Its refusal to push the usual emotional buttons and its insistence that we not pass moral judgment on its characters’ erratic behavior make it an exceptionally cleareyed assessment of a stratum of American life"

The New York Times
Old Dogs (2009)

Publish Date: November 23, 2009
"This imbecilic, mean-spirited farce, which sneers at adults, leaves you wondering: where are the Three Stooges when we really need them?"

The New York Times
Oh My God (2009)

Publish Date: November 11, 2009
"Picturesque but shallow (...) The film is so haphazardly structured that instead of adding up to something, the speakers tend to cancel one another out."

The New York Times

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