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Michael O'Sullivan

Michael O'Sullivan

Film Critic

United States

Good Night Oppy (2022)

Publish Date: November 1, 2022
"It's such a feel-good little story that Oppy might instill in you the same warm and fuzzy feeling of gratification that she obviously has in her NASA family (...) Rating: **1/2 (out of 5)"

The Washington Post
Black Adam (2022)

Publish Date: October 17, 2022
"[It] proceeds with predictable action sequences, tiresome fight scenes and the now-requisite sacrifice of a major character. But it’s that seasoning of radical politics (...) that gives it a bit of spice"

The Washington Post
Claydream (2021)

Publish Date: August 15, 2022
"A fascinating saga, especially for fans of animation (...) Rating: *** (out of 4)"

The Washington Post
Thirteen Lives (2022)

Publish Date: August 11, 2022
"Thirteen Lives is a solid achievement, technically and dramatically (...) Like its protagonists, it isn’t flashy but is all business. It gets the job done with a minimum of histrionics, yet a mountain of suspense. (...) Rating: *** (out of 4)"

The Washington Post
Infinite Storm (2022)

Publish Date: March 23, 2022
"A harrowing, life-or-death story that has been drained of power to score melodramatic points that feel — however true — unearned (…) Rating: ** (out of 4)"

The Washington Post
I Am Here (2021)

Publish Date: March 7, 2022
"It’s inspirational, yes, but sadly far from unique. In its oft-heard contours, then, lies both its power and its tragic familiarity (…) Rating: ** (out of 4)"

The Washington Post
Studio 666 (2022)

Publish Date: February 21, 2022
"'Studio 666' is either a delightful lark or a mystifying waste of time: Your pleasure will probably depend entirely on how you feel about Grohl (...) Rating: *½ (out of 4)"

The Washington Post
Blacklight (2022)

Publish Date: February 8, 2022
"For fans of Neeson as action hero, 'Blacklight' may be something of a disappointment (...) But that being said, it’s always a pleasure to see Neeson do his thing (…) Rating: ** (out of 4)"

The Washington Post
Gamestop: Rise of the Players (2022)

Publish Date: January 27, 2022
"As a narrative, 'GameStop' feels a bit rushed and insider-y, in a way that can be off-putting for viewers coming into it in need of a tutorial (…) Rating: **½ (out of 4)"

The Washington Post
Redeeming Love (2022)

Publish Date: January 18, 2022
"[Caruso] makes slick work of the source material, adapting the screenplay with Rivers into an engrossing but superficial epic (…) Rating: ** (out of 4)"

The Washington Post
The Velvet Queen (2021)

Publish Date: January 11, 2022
"Even if the idea of this film does not appeal to you, please consider it anyway (...) Rating: ***1/2 (out of 4)"

The Washington Post
Drive My Car (2021)

Publish Date: December 7, 2021
"There is so much going on here, yet the director handles the film’s constellation of themes and sweeping emotion with impeccable assurance and an at-times breathtaking sense of the poetic (…) Rating: **** (out of 4)"

The Washington Post
Wolf (2021)

Publish Date: November 29, 2021
"MacKay is a fine actor, vividly rendering Jacob’s anguish at being a wolf trapped in a human body (...) However 'Wolf' is intended to be taken, it’s not especially nuanced (…) Rating: ** (out of 4)"

The Washington Post
Becoming Cousteau (2021)

Publish Date: October 18, 2021
"A thorough if somewhat by-the-book profile of a pioneer in the field of marine ecology (...) If it sounds like a wake-up call about a rapidly warming planet (...) Rating: **½ (out of 4)"

The Washington Post
Dune (2021)

Publish Date: October 17, 2021
"'Dune' is somehow almost purely pleasurable, and rarely tedious, despite its gargantuan running time and minor imperfections (…) Rating: *** (out of 4)"

The Washington Post
Cry Macho (2021)

Publish Date: September 14, 2021
"Maybe it’s true that it’s never too late to find a new home. But in some ways, it feels like “Cry Macho” has missed the bus (...) Rating: ** (out of 4)"

The Washington Post
Copshop (2021)

Publish Date: September 13, 2021
"Louder is well-grounded and brings charisma and intensity to her table-turning role, in a story of brute force to which Carnahan adds a welcome injection of style, finesse and, yes, even fun at times (...) Rating: **½ (out of 4)"

The Washington Post
Candyman (2021)

Publish Date: August 24, 2021
"'Candyman' can’t seem to decide whether it wants to scare you or make you think"

The Washington Post
Shang-Chi and the Legend of the Ten Rings (2021)

Publish Date: August 22, 2021
"It remembers to have fun. It's a kick to watch - often literally - and the kind of popcorn movie summer is made for (...) Rating: *** (out of 4)"

The Washington Post
The Protégé (2021)

Publish Date: August 19, 2021
"Like Anna herself, the film is polished and watchable, with a satisfying third-act twist (..) The screenplay by Richard Weck is sharp and surprisingly intelligent (...) Rating: **½ (out of 4)"

The Washington Post

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