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Jeannette Catsoulis

Jeannette Catsoulis

Film Critic

United States

The Day Shall Come (2019)

Publish Date: September 25, 2019
"'The Day Shall Come' barges into American counterterrorism tactics with sledgehammer satire and a numbingly repetitive plot"

The New York Times
Killerman (2019)

Publish Date: August 28, 2019
"The result might feel overlong and overwrought; yet thanks to Bader’s clever plotting and fruity dialogue — as well as strong supporting players — this grimy picture climaxes more satisfyingly than expected"

The New York Times
Tigers Are not Afraid (2017)

Publish Date: August 19, 2019
"Thematically underdeveloped yet pleasingly creepy, 'Tigers Are Not Afraid' balances its mild terrors with appealing moments of childish creativity"

The New York Times
Driven (2018)

Publish Date: August 14, 2019
"Somewhere deep inside 'Driven' (...) lies a fascinating movie (...) To make that movie, though, would have required a less glib tone and an infinitely more focused script."

The New York Times
Aquarela (2018)

Publish Date: August 14, 2019
"Filming at a dazzling 96 frames per second (...) Kossakovsky and Ben Bernhard assemble a stunning, occasionally numbing sensory symphony."

The New York Times
Ode to Joy (2019)

Publish Date: August 7, 2019
"Excessively contrived (...) Mildly pleasurable"

The New York Times
After the Wedding (2019)

Publish Date: August 7, 2019
"A supreme example of classed-up mediocrity (...) A pointless remake (...) [It] offers little that’s new and a lot that’s predictable"

The New York Times
A Score to Settle (2019)

Publish Date: July 31, 2019
"Nicolas Cage’s singing voice might not be the worst thing about the revenge thriller 'A Score to Settle' (...) A story that seems to have little idea where it’s going."

The New York Times
Them That Follow (2019)

Publish Date: July 31, 2019
"Admirably acted yet emotionally blank"

The New York Times
Skin (2019)

Publish Date: July 24, 2019
"The movie immerses us in the dark heart of white power (...) What it doesn’t do is expose the psychological soft spots and belief systems that allow extremism to grow"

The New York Times
She's Just a Shadow (2019)

Publish Date: July 17, 2019
"The often ludicrous dialogue (...) suggests a comedy, as does acting so lamentable it seems cruel to identify its perpetrators. (...) I wouldn’t dare to predict who might cough up admission for this"

The New York Times
Firecrackers (2018)

Publish Date: July 10, 2019
"Astonishingly confident (...) This is a movie that, like its characters, is more fluent in feelings than in words."

The New York Times
Cold Blood (2019)

Publish Date: July 3, 2019
"[Cinematographer Thierry Arbogast] considerable talents go some way toward manufacturing a tension that the script lacks."

The New York Times
Euphoria (2017)

Publish Date: June 26, 2019
"There’s dark fun to be had (...) 'Euphoria' gives up the ghost well before either of its unhappy heroines."

The New York Times
Killers Anonymous (2019)

Publish Date: June 26, 2019
"While you might leave with several unanswered questions, the most concerning one is how this fiasco was ever financed in the first place."

The New York Times
Annabelle Comes Home (2019)

Publish Date: June 23, 2019
"Excepting Sarife, whose subtly shaded performance as the wildly incautious friend augurs a fine career in tough-yet-tender roles, [it] feels stretched and tired."

The New York Times
Always Be My Maybe (2019)

Publish Date: May 28, 2019
"A high-gloss romantic comedy so mired in triteness and unconvincing emotions that its main recommendation is the appealing diversity of its cast."

The New York Times
The Proposal (2018)

Publish Date: May 22, 2019
"'The Proposal' meditates on the meaning of artistic legacy and hums with the fear of being wiped from public memory. Most of all, it shines an ingeniously media-savvy spotlight on Barragán’s work"

The New York Times
Perfect (2018)

Publish Date: May 15, 2019
"A woozily incoherent sci-fi nightmare that appears destined to entertain mainly the thoroughly stoned — or make you feel as if you are."

The New York Times
All Creatures Here Below (2018)

Publish Date: May 15, 2019
"What’s different, though, is the performers’ skill in portraying characters whose extreme mutual dependence is touchingly believable"

The New York Times

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