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James Berardinelli

James Berardinelli

Film Critic

United States

(1967)

Five Feet Apart (2019)

Publish Date: March 13, 2019
"For those in need of a good cry, 'Five Feet Apart' will fill the need but, even amidst the sniffles and tears, there’s a sense that the experience could have been more wrenching and emotionally honest (…) Rating: **½ (out of 4)"

ReelViews
Wonder Park (2019)

Publish Date: March 12, 2019
"Sufficiently diverting to engage kids for about 85 minutes, it can function as an appetizer to an upcoming slate of high-profile Disney titles (…) Rating: *** (out of 4)"

ReelViews
The Running Man (1987)

Publish Date: February 24, 2019
"Those watching it for the first time in 2019 may find it shockingly (or perhaps laughably) bad. Those revisiting it will almost certainly feel that it seemed better when they first saw it (…) Rating: ** (out of 4)"

ReelViews
What Men Want (2019)

Publish Date: February 6, 2019
"[It] does a worse job with the core idea than its predecessor (...) One would have to be charitable to use 'romantic', 'comedy', or 'enjoyable' for this new iteration (…) Rating: ** (out of 4)"

ReelViews
Untogether (2019)

Publish Date: February 6, 2019
"Although the film boasts some nuggets of truth, there’s a lot of artifice in the narrative (...) The screenwriter’s guiding hand is too obviously present (…) Rating: ** (out of 4)"

ReelViews
Piercing (2018)

Publish Date: January 30, 2019
"The director's macabre flourishes and garish visuals can't completely camouflage the hollow space at the production's core (…) Rating: ****½ (out of 5)"

ReelViews
Serenity (2019)

Publish Date: January 24, 2019
"A production more apt to deliver frustration than gratification (…) Rating: **½ (out of 4)"

ReelViews
All These Small Moments (2018)

Publish Date: January 15, 2019
"'All These Small Moments' offers a mix of honesty and artifice. Some of the scenes simmer with truth; others are too obviously the construct of a screenplay (…) Rating: **½ (out of 4)"

ReelViews
Rust Creek (2018)

Publish Date: January 6, 2019
"Although there are times when the story meanders, two aspects remain strong throughout: (...) lead actress Corfield and the vivid images captured by the lens of cinematographer Michelle Lawler (…) Rating: *** (out of 4)"

ReelViews
On the Basis of Sex (2018)

Publish Date: December 18, 2018
"[It] mostly avoids hero-worship in recreating the shameful truth of where the country was a half-century earlier and the importance of Ginsburg (...) that continues to this day (…) Rating: *** (out of 4)"

ReelViews
Mary Poppins Returns (2018)

Publish Date: December 16, 2018
"An imperfect sequel but as a throw-away holiday film designed to provide a family viewing experience, it satisfies a need (…) Rating: *** (out of 4)"

ReelViews
Vox Lux (2018)

Publish Date: December 5, 2018
"[A] dead-on portrait of a lost soul who may never quite find herself but who makes an uneasy peace with what the world has made of her (…) Rating: *** (out of 4)"

ReelViews
Creed 2 (2018)

Publish Date: November 9, 2018
"[It] is by no means the worst of the bunch but it’s among the most disappointing (...) It suffers from the necessity of having to move forward a story that was perfectly closed (…) Rating: ** (out of 4)"

ReelViews
Time Trap (2017)

Publish Date: November 1, 2018
"A superficially entertaining science-fiction action/adventure film (...) [It] looks better than one would ever expect from a low-budget indie (…) Rating: **½ (out of 4)"

ReelViews
The Nutcracker and the Four Realms (2018)

Publish Date: October 31, 2018
"[It] is a miscalculation of Magic Kingdom-sized proportions (...) [It] drowns in CGI, underdeveloped characters, and a plot utterly devoid of energy and excitement (…) Rating: ** (out of 4)"

ReelViews
Bad Times at the El Royale (2018)

Publish Date: October 11, 2018
"[It] starts with a lot of promise and a full head of steam; even half-way through I was engaged. But the movie eventually careens off the track (…) Rating: **½ (out of 4)"

ReelViews
Colette (2018)

Publish Date: October 6, 2018
"This isn't Oscar-worthy material but it's the kind of solid art house motion picture that was popular during the 1990s and whose occasional reappearance in the 2010s is always welcome (…) Rating: **** (out of 4)"

ReelViews
The Hate U Give (2018)

Publish Date: October 3, 2018
"It may not change minds but it challenges viewers to consider why they react to issues of race (and poverty) in the manner that they do (…) Rating: ***½ (out of 4)"

ReelViews
Summer '03 (2018)

Publish Date: September 26, 2018
"Most of the material dealing with Jamie’s feelings and adolescent angst have the ring of truth (...) 'Summer ’03' is a solid feature debut whose missteps are forgivable (…) Rating: **½ (out of 4)"

ReelViews
MDMA (2017)

Publish Date: September 11, 2018
"Annie Q gives a compelling performance (...) Wang accurately captures the era in which the events depicted in 'MDMA' occur (…) Rating: *** (out of 4)"

ReelViews

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