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More information

Dave Kehr

United States

United States

(1953)

966 pro reviews

511

263

195

Latest published

Germany, Year Zero (1948)
Publish Date:
"It now appears as Rossellini's first mature work, pointing to his masterpieces of the 50s"

Chicago Reader
AKA (2002)
Publish Date:
"His (Roy's) informed contempt is highly entertaining, but he neglects some of the more problematical and perhaps more illuminating aspects of his story."

The New York Times
Sweet Sweetback's Baadasssss Song (1971)
Publish Date:
"A shrewd and powerful mix of commercial ingredients and ideological intent."

Chicago Reader
The Distinguished Gentleman (1992)
Publish Date:
"It has a few good laughs in it thanks to Murphy, but mainly depends for its appeal on an uncomfortable manipulation of racial stereotypes."

Chicago Tribune
Hell Is for Heroes (1962)
Publish Date:
"Siegel avoids the cliches of the butterflies-and-brotherhood school, opting instead for a study of the brutalizing power of sanctioned violence."

Chicago Reader
The Cobweb (1955)
Publish Date:
"Vincente Minnelli's 1955 melodrama is set in a posh mental hospital; he choreographs the various plots and subplots with the same style and dynamism he brought to his famous musicals."

Chicago Reader
Lover Come Back (1961)
Publish Date:
"One of the queasier Rock Hudson-Doris Day comedies."

Chicago Reader
The 39 Steps (1935)
Publish Date:
"As an artist, Alfred Hitchcock surpassed this early achievement many times in his career, but for sheer entertainment value it still stands in the forefront of his work."

Chicago Reader
A Good Marriage (1982)
Publish Date:
"A comedy in the classic sense."

Chicago Reader
The Flavor of Green Tea Over Rice (1952)
Publish Date:
"Ozu is the master of a difficult and austere style, in which the lack of camera movement sometimes speaks more than the elaborate techniques of his contemporaries"

Chicago Reader
Three Fugitives (1989)
Publish Date:
"Called upon to do little more than imitate the mannerisms of their French predecessors, Nolte and Short seem hemmed in and desperately uncomfortable"

Chicago Tribune
The NeverEnding Story (1984)
Publish Date:
"Despite the sophistication of the source material, the film isn't particularly successful: Petersen insists on forcing the superficial moral lessons, and the half hour removed from the film by its American distributors leaves it with a harsh, choppy rhythm."

Chicago Reader
Soul Man (1986)
Publish Date:
"'Soul Man' is a slick, frightening piece of work. It's not only because Ron Reagan Jr. has a bit part in it that it seems the definitive Reagan-era film."

Chicago Tribune
Iron Monkey (1993)
Publish Date:
"Saving the big number for the climax, like any good musical director, Mr. Yuen finishes up with a spectacular variation on the traditional kung fu pole fight."

The New York Times
Au hasard Balthazar (1966)
Publish Date:
"Perhaps the greatest and most revolutionary of Bresson's films, Balthazar is a difficult but transcendently rewarding experience, never to be missed."

Chicago Reader
My Fair Lady (1964)
Publish Date:
"Every frame of this 1964 film bespeaks Cukor's grace and commitment"

Chicago Reader
The Magic Flute (TV) (1975)
Publish Date:
"It's less an interpretation than a simple presentation (...) As such, it plays reasonably well"

Chicago Reader
Ordinary People (1980)
Publish Date:
"The film looks austere and serious (...) and the oppressiveness of the images tends to strangle laughter, even at the most absurd excesses of Alvin Sargent's script."

Chicago Reader
Solarbabies (1986)
Publish Date:
"Alan Johnson`s direction is so limply amateurish that the entire project quickly descends to the level of a cheesy backlot production."

Chicago Tribune
El Dorado (1966)
Publish Date:
"A very funny, very moving work, graced by the cinema's cleanest, most classical style"

Chicago Reader

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