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Dominican Rep. Martin Scorsese Presents the Blues - Feel Like Going Home
- Original title
- Martin Scorsese Presents the Blues - Feel Like Going Home
- Year
- 2003
- Running time
- 110 min.
- Country
United States- Director
- Screenwriter
- Cast
-
Documentary
- Music
- Various
- Producer
-
Producer: Martin Scorsese
- Genre
- Documentary | Music Documentary
- Movie Groups
- Martin Scorsese Presents the Blues
- Synopsis
- Director Martin Scorsese (The Last Waltz, Raging Bull, Gangs of New York) pays homage to the Delta blues. Musician Corey Harris travels through Mississippi and on to West Africa, exploring the roots of the music. The film celebrates the early Delta bluesmen through original performances (including Willie King, Taj Mahal, Otha Turner, and Ali Farka Toure) and rare archival footage (featuring Son House, Muddy Waters, and John Lee Hooker).
Says Scorsese: "I've always felt an affinity for blues music — the culture of storytelling through music is incredibly fascinating and appealing to me. The blues have great emotional resonance and are the foundation for American popular music."
The Blues™, executive produced by Martin Scorsese, consists of seven feature-length films that capture the essence of the blues while exploring how this art form so deeply influenced music and people the world over.
The series begins with the journey from Africa to the Mississippi Delta — where the music grew from slaves' field hollers, work songs and spirituals — then travels up the Mississippi River to the juke joints, house parties and recording studios of Memphis and Chicago, and culminates with the emotional embrace of this African-American creation by musicians and people throughout the world.
"The blues is at once American and worldly," said Martin Scorsese, who began work on the project six years ago. "It's a form of storytelling that is so universal that it has inspired people beyond our borders and continues to influence music here and abroad. We're hopeful that the series and YEAR OF THE BLUES will introduce new audiences worldwide to this music and also inspire kids, whether they like rock or hip hop, to better understand the struggles and genius that gave birth to what they listen to today."
"Our goal never was to produce the definitive work on the blues," Scorsese added. "It was, from the start, to create highly personal and impressionistic films as seen through the eyes of the most creative directors around with a passion for this music."
The Blues is the culmination of a great ambition for Scorsese — to honor the music he loves, to preserve its legacy and to work closely with talented feature film directors united in their desire to celebrate this art.
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