If Land of the Dead was the glorious and triumphal return of George A. Romero to the zombie subgenre, Diary of the Dead is its perfect counterpoint: the return to his roots in the form of an independent production (his first in twenty years) and once again with the living dead roaming the Earth in search of fresh flesh. As always, the government moves too late and poorly and a group of film students wind up filming the movie of their lives, without even looking to do so, and while trying to escape from the massacre. A genuine Romero, in top shape and with his rifle loaded (info from cinemasitges.com).
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Diary of the Dead
