| ORIGINAL TITLE |
360 |
| YEAR |
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| RUNNING TIME |
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| COUNTRY |
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| DIRECTOR |
Fernando Meirelles |
| SCREENWRITER |
Peter Morgan (Play: Arthur Schnitzler) |
| COMPOSER |
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| CINEMATOGRAPHER |
Adriano Goldman |
| CAST |
Anthony Hopkins, Jude Law, Rachel Weisz, Ben Foster, Moritz Bleibtreu, Jamel Debbouze, Marianne Jean-Baptiste, Lucia Siposová, Gabriela Marcinkova, Juliano Cazarré, Maria Flor, Dinara Drukarova, Vladimir Vdovichenkov |
| STUDIO/PRODUCER |
Coproduction UK-Austria-Brazil |
| OFFICIAL WEB |
http://www.magpictures.com/360/ |
| AWARDS |
2011: London Film Festival: Official Selection |
| GENRE |
Drama. Romance. Thriller | Ensemble Film |
| SYNOPSIS/PLOT |
Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative. |
| PRO REVIEWS |
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"La Ronde 2011-style is simply a game and its makers expert gamesmen. The film is never less than intriguing. But the artifice shows all too clearly"
(Kirk Honeycutt: The Hollywood Reporter)
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"With a multilingual cast of mostly unfamiliar faces, plus a few stars, 360 feels too abstract, orchestrating break-ups and hook-ups in a passionless vacuum" (Peter Debruge: Variety)
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"With its international collection of mostly two-dimensional characters and its barely developed ideas on adultery, capitalism, addiction and sex, '360' is an over-plotted and dreary farrago" (Sheri Linden: The Hollywood Reporter)
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"There's no way to know what went wrong with '360' and whether it was this uninvolving and shallow from the start" (Manohla Dargis: The New York Times)
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"Much like its own characters, it dithers too much - and it dares too little" (Amy Biancolli: San Francisco Chronicle)
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"'360' gives us much in the way of international anguish, frustrated coupling and longing stares, but there's very little plausibility or genuine emotion in its egregiously contrived story (...) Rating: * (out of four)" (Kyle Smith: New York Post)
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360
