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360
ORIGINAL TITLE 360
YEAR
2011  
RUNNING TIME
112 min.   Watch Trailers/Videos
COUNTRY
  Movie Image Gallery
DIRECTOR Fernando Meirelles
SCREENWRITER Peter Morgan (Play: Arthur Schnitzler)
COMPOSER
CINEMATOGRAPHER Adriano Goldman
CAST Anthony Hopkins, Jude Law, Rachel Weisz, Ben Foster, Moritz Bleibtreu, Jamel Debbouze, Marianne Jean-Baptiste, Lucia Siposová, Gabriela Marcinkova, Juliano Cazarré, Maria Flor, Dinara Drukarova, Vladimir Vdovichenkov
STUDIO/PRODUCER Coproduction UK-Austria-Brazil
OFFICIAL WEB http://www.magpictures.com/360/
AWARDS 2011: London Film Festival: Official Selection
GENRE Drama. Romance. Thriller | Ensemble Film
SYNOPSIS/PLOT Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
PRO REVIEWS ----------------------------------------
"La Ronde 2011-style is simply a game and its makers expert gamesmen. The film is never less than intriguing. But the artifice shows all too clearly"

(Kirk Honeycutt: The Hollywood Reporter)
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"With a multilingual cast of mostly unfamiliar faces, plus a few stars, 360 feels too abstract, orchestrating break-ups and hook-ups in a passionless vacuum" (Peter Debruge: Variety)
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"With its international collection of mostly two-dimensional characters and its barely developed ideas on adultery, capitalism, addiction and sex, '360' is an over-plotted and dreary farrago" (Sheri Linden: The Hollywood Reporter)
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"There's no way to know what went wrong with '360' and whether it was this uninvolving and shallow from the start" (Manohla Dargis: The New York Times)
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"Much like its own characters, it dithers too much - and it dares too little" (Amy Biancolli: San Francisco Chronicle)
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"'360' gives us much in the way of international anguish, frustrated coupling and longing stares, but there's very little plausibility or genuine emotion in its egregiously contrived story (...) Rating: * (out of four)" (Kyle Smith: New York Post)
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360
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