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DIRECTOR Fernando Meirelles
SCREENWRITER Peter Morgan (Play: Arthur Schnitzler)
CAST Anthony Hopkins, Jude Law, Rachel Weisz, Ben Foster, Moritz Bleibtreu, Jamel Debbouze, Marianne Jean-Baptiste, Lucia Siposová, Gabriela Marcinkova, Juliano Cazarré, Maria Flor, Dinara Drukarova, Vladimir Vdovichenkov
STUDIO/PRODUCER Coproduction UK-Austria-Brazil
OFFICIAL WEB http://www.magpictures.com/360/
AWARDS 2011: London Film Festival: Official Selection
GENRE Drama. Romance. Thriller | Ensemble Film
SYNOPSIS/PLOT Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
PRO REVIEWS ----------------------------------------
"La Ronde 2011-style is simply a game and its makers expert gamesmen. The film is never less than intriguing. But the artifice shows all too clearly"

(Kirk Honeycutt: The Hollywood Reporter)
"With a multilingual cast of mostly unfamiliar faces, plus a few stars, 360 feels too abstract, orchestrating break-ups and hook-ups in a passionless vacuum" (Peter Debruge: Variety)
"With its international collection of mostly two-dimensional characters and its barely developed ideas on adultery, capitalism, addiction and sex, '360' is an over-plotted and dreary farrago" (Sheri Linden: The Hollywood Reporter)
"There's no way to know what went wrong with '360' and whether it was this uninvolving and shallow from the start" (Manohla Dargis: The New York Times)
"Much like its own characters, it dithers too much - and it dares too little" (Amy Biancolli: San Francisco Chronicle)
"'360' gives us much in the way of international anguish, frustrated coupling and longing stares, but there's very little plausibility or genuine emotion in its egregiously contrived story (...) Rating: * (out of four)" (Kyle Smith: New York Post)
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