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The World at War (TV Series)
ORIGINAL TITLE The World at War (TV Series)
YEAR
1974  
RUNNING TIME
52 min.   Suggest trailer/video
COUNTRY
 
DIRECTOR Jeremy Isaacs (Creator), Hugh Raggett, John Pett, David Elstein, Ted Childs, Michael Darlow, Martin Smith
SCREENWRITER Peter Batty, Neal Ascherson, Laurence Thompson, Charles Bloomberg, Jerome Kuehl, David Wheeler, John Williams
COMPOSER Carl Davis
CINEMATOGRAPHER Eva Braun
CAST Documentary
STUDIO/PRODUCER Imperial War Museum / Thames Television
GENRE Documentary. TV Series. War | II World War. Historical
SYNOPSIS/PLOT The World at War is a 26-episode television documentary series on World War II, including the events leading up to it and following in its wake. The series was produced by Jeremy Isaacs for Thames Television (UK). Commissioned in 1969, it took four years to produce, such was the depth of its research. It premiered on ITV in 1973 at a cost of £900,000, a record (at the time) for a British television programme. The series was narrated by Laurence Olivier and its score was composed by Carl Davis. A book, The World at War, was written to accompany the series by Mark Arnold-Forster.

The series interviewed leading members of the Allied and Axis campaigns, including eyewitness accounts by civilians, enlisted men, officers and politicians, amongst them Albert Speer, Karl Dönitz, Jimmy Stewart, Bill Mauldin, Curtis LeMay, Lord Mountbatten, Alger Hiss, Toshikazu Kase, J.B. Priestley, Brian Horrocks, Arthur Harris, Charles Sweeney, Paul Tibbets, Anthony Eden, Traudl Junge and historian Stephen Ambrose.

Jeremy Isaacs says in "The Making of The World at War" (included on the DVD set) that he sought to interview, not necessarily the surviving big names, but their aides and assistants. The most difficult subject to locate and persuade to be interviewed, according to Isaacs, was Heinrich Himmler's adjutant, Karl Wolff. The latter admitted to witnessing a large-scale execution in Himmler's presence, thus effectively convicting himself of a war crime on television. No prosecution of Wolff followed, however.

It is often considered to be the definitive television history of the Second World War. Some consider it the finest example of the documentary form, although much critically important information, such as the systematic breaking of Germany's codes by Britain which allowed Germany's encrypted communications to be intercepted, remained classified at the time (two references remain in the series however in interviews, presumably missed by the censor). It also presented rare colour film footage of some of the war's events.
 
 
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8.4
Very good
(2,898 votes)
 
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