The histories are done of remnants of lives. As those of Pedro, a scriptwriter of scanty reputation with writer's pretensions of novels that waits for an opportunity for the publication of his manuscript. Or those of Trinidad - retired actress and novelist married a tahúr that was dawning lawyer - that also waits for the publication of his novel. The histories tangle the existence and arrange an appointment with strangers: as that of the own (proper) attorney tahúr that, loaded with obligations, played at cheating the random of his wife with a slightly delicate secretary. The histories of fiction have a sure recipe that knew the Uncle Celerino. But the Uncle Celerino died without stopping written, because he was illiterate.
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