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DIRECTOR Clint Eastwood
COMPOSER Clint Eastwood
CAST Matt Damon, Cécile de France, George McLaren, Frankie McLaren, Lyndsey Marshall, Bryce Dallas Howard, Jay Mohr, Thierry Neuvic, Richard Kind, Rebekah Staton, Declan Conlon, Stéphane Freiss, Marthe Keller, Derek Jacobi
STUDIO/PRODUCER Warner Bros. Pictures / Malpaso Productions / The Kennedy/Marshall Company
OFFICIAL WEB http://hereafter.warnerbros.com/
AWARDS 2010: Academy Awards: Nominated to Best Visual Effects
2010: NBR (National Board of Review): Top Ten Films of the Year
2010: David di Donatello Awards: Best Foreign Film
GENRE Drama. Mystery | Melodrama. Ensemble Film. Supernatural . Disaster film
SYNOPSIS/PLOT "Hereafter” tells the story of three people who are haunted by mortality in different ways. Matt Damon stars as George, a blue–collar American who has a special connection to the afterlife. On the other side of the world, Marie (Cécile de France), a French journalist, has a near–death experience that shakes her reality. And when Marcus (Frankie/George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might—or must—exist in the hereafter.
PRO REVIEWS ----------------------------------------
"The film never is less than intriguing, right from its tour de force opening sequence, and often full of insights (...) the ending is a letdown. It's too facile" (Kirk Honeycutt: The Hollywood Reporter)
"'Hereafter' is a pensive saga that transcends death and lyrically examines our darkest fears and our most deeply held beliefs (...) Rating: ***1/2 (out of four)" (Claudia Puig: USA Today)
"It has the power to haunt the skeptical, to mystify the credulous and to fascinate everyone in between (...) an unusual experience and an open-ended inquiry into something nobody can really claim to understand" (A. O. Scott: The New York Times)
"What would "Gran Torino" 's Walt Kowalski say to such a limp and passive film? "Get off my screen"

(Kyle Smith: New York Post)
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